Working - Creative Team

Susan Birkenhead is an American lyricist. Birkenhead made her Broadway debut as one of a team of songwriters contributing to Working (1978), for which she received her first Tony Award nomination. Her second was earned for Jelly's Last Jam (1992), which won her the Drama Desk Award for Outstanding Lyrics and a Grammy Award nomination. Additional Broadway credits include Triumph of Love (Drama Desk nomination) and additional lyrics for the Cole Porter tunes in the 1998 revival of High Society. Birkenhead's Off-Broadway and regional theatre credits include What About Luv?, a musical adaptation of the Murray Schisgal play Luv, for which she ... read more ... read more Ms. Grant has been involved in the creation of some 18 theatrical productions, five of them on Broadway. With the long-running Don't Bother Me, I Can't Cope, in which she also starred, she became the first woman to win a Grammy Award for the score of a Broadway musical. She also received Tony nominations for book, music, and lyrics. Another Grammy nomination for the score (with Alex Bradford) of Your Arms Too Short to Box with God followed, as well as another Tony nomination for the score of Working. When Your Arms Too Short... and It's Nice to Be Civilized opened ... read more ... read more Authorized Biography: Defying Gravity: The Creative Career of Stephen Schwartz, from Godspell to Wicked (Applause Theatre and Cinema Books, by Carol de Giere) www.DefyingGravityTheBook.com Stephen Schwartz was born in New York City on March 6, 1948. He studied piano and composition at the Juilliard School of Music while in high school and graduated from Carnegie Mellon University in 1968 with a B.F.A. in Drama. Upon coming back to live in New York City, he went to work as a producer for RCA Records, but shortly thereafter began to work in the Broadway theatre. His first major credit was the title song for ... read more ... read more Broadway: End of the Rainbow, The Gershwins’ Porgy and Bess, 110 In The Shade (Tony nom.), Shining City, Well, Awake and Sing! (Tony nom.), Rabbit Hole, The Light In The Piazza (Tony, Drama Desk, Outer Critics awards), Reckless, The Tale of the Allergist’s Wife, Seven Guitars (Tony nom.), among others. Recent: King Lear (Public Theater), Kdo! (Foret Nationale, Brussels), Kafeneion (Athens Festival), Garden Of Earthly Delights (Minetta Lane); Orpheus X (TFANA), Kaos (NYTW). Awards: Obie/Sustained Excellence, among others. ... read more Christopher Ashley won the Tony Award for his direction of the stage production of Come From Away on Broadway, and serves as the Artistic Director of the Tony Award-winning La Jolla Playhouse in San Diego, CA. Other film credits include Diana: The Musical on Netflix, the feature films Jeffrey and Lucky Stiff, and the American Playhouse production of Blown Sideways Through Life for PBS. At La Jolla Playhouse, Mr. Ashley directed the world-premiere productions of Come From Away, Diana: The Musical, Escape to Margaritaville, Memphis, The Darrell Hammond Project, Hollywood and Chasing the Song. Other select Playhouse credits include Freaky ... read more Recent Designs include Father Comes Home From the Wars (Parts 1, 2 & 3) (Royal Court London), Mughal-e-Azam (NCPA Mumbai), Born for This (The Broad Stage, L.A.), The Crucible (Glimmerglass Festival), Indian Ink (Roundabout), Mr Burns, a post-electric play and Stage Kiss (Playwrights Horizons) and Norma (L.A. Opera). TV/film production design for "The Path" (Hulu), "In Treatment" (HBO), "Little Boxes" (Netflix), Some Velvet Morning (Tribeca Films). Exhibition designs for Space, Force, Construction; VAC Foundation, Venice. ... read more Authorized Biography: Defying Gravity: The Creative Career of Stephen Schwartz, from Godspell to Wicked (Applause Theatre and Cinema Books, by Carol de Giere) www.DefyingGravityTheBook.com Stephen Schwartz was born in New York City on March 6, 1948. He studied piano and composition at the Juilliard School of Music while in high school and graduated from Carnegie Mellon University in 1968 with a B.F.A. in Drama. Upon coming back to live in New York City, he went to work as a producer for RCA Records, but shortly thereafter began to work in the Broadway theatre. His first major credit was the title song for ... read more