Review: Defying Gravity - An Evening with Stephen Schwartz Flies to the Irvine Barclay
by Michael Quintos - Jun 4, 2026
It's a very rare treat—particularly all the way here in Orange County, California—to hear Broadway songs and the stories behind them performed directly by the legendary composer himself, even for just a one-night-only event. But that is exactly the gift bestowed upon a rapt audience recently when the Irvine Barclay Theatre presented DEFYING GRAVITY: AN EVENING WITH STEPHEN SCHWARTZ & FRIENDS to a sold-out crowd on the evening of May 23, 2026.
How Have Broadway Theater Sizes Changed Over the Years?
by Jennifer Ashley Tepper - May 24, 2026
xBroadway’s current theater capacity rules have not always been how they are now. The distinctions between Broadway, off-Broadway, and other types of venues have changed over the decades as the industry has evolved.
Review: THE GREAT GATSBY National Tour at Durham Performing Arts Center
by Jeffrey Kare - May 6, 2026
Based on F. Scott Fitzgerald’s classic 1925 novel of the same name. The Great Gatsby is set on Long Island, near New York City during the Jazz Age. The story centers on mysterious millionaire Jay Gatsby and his obsession to reunite with his former lover Daisy Buchanan. This was one of two musical adaptations to have premiered within the past couple of years. The other being Gatsby: An American Myth, which debuted in Boston in 2024.
Review: LES BALLETS TROCKADERO DE MONTE CARLO, Sadler’s Wells
by Matthew Paluch - May 6, 2026
Les Ballets Trockadero de Monte Carlo, otherwise known as the Trocks, are back at Sadler’s Wells as part of their National tour of a mixed bill until 6 May. Post-show I think I might be losing my sense of humour…but thankfully most of the Sadler’s Wells audience seemed happy!
Review: MURDER ON THE ORIENT EXPRESS Is A Sumptuous Ride At CCBC Dundalk Through March 15, 2026
by Cybele Pomeroy - Mar 24, 2026
MURDER ON THE ORIENT EXPRESS: The beautiful theater inside of CCBC Dundalk hosts an equally beautiful production. What a treat to view this classic, seeing and hearing people respond to its twists and turns as if seeing it for the first time- or perhaps actually seeing it for the first time- realizing that writing that’s worth watching even a century later is a rarity and a prize.
Review: THE SHARK IS BROKEN SETS SAIL at JOBSITE THEATER
by Drew Eberhard - Mar 13, 2026
FADE IN: The open ocean, 1974. Filming is delayed...again. The lead actors- theatre and film vet Robert Shaw and up-and-coming Hollywood hotshots Richard Dreyfuss and Roy Scheider- are crammed into a too-small boat, entirely at the mercy of foul weather and a faulty mechanical star. Alcohol flows, egos collide, and tempers flare on a chaotic voyage that just might lead to cinematic magic... if it doesn’t sink them all...
Words...pulled directly from Director David Jenkins most recent Facebook post, promoting Jobsite Theater’s most recently launched production of Ian Shaw’s The Shark is Broken.
Boston Symphony Orchestra Unveils 2026 Tanglewood Season
by Chloe Rabinowitz - Jan 29, 2026
Tanglewood has revealed the details of its 2026 season, opening in late June and continuing to Labor Day weekend. The schedule brings many of the world’s most exciting musicians to the beautiful Berkshire hills of western Massachusetts.
Is Broadway In a New Musical Drought?
by Jennifer Ashley Tepper - Feb 15, 2026
For the past two seasons, 14 or 15 new musicals have opened on Broadway. Even in the challenging first two seasons coming out of the pandemic, Broadway saw 8 or 9 new musicals opening. And in the last four full seasons prior to the pandemic, Broadway saw an average of 11 new musicals per season. What gives?
Review: THE SEA HORSE, Golden Goose Theatre
by Gary Naylor - Nov 6, 2025
Recently, on the north coast of Ireland, I had lunch in a seaside bar. Outside, the wind howled, sunshine and rain were locked in a battle for supremacy and the sky was too big. I knew that feeling, as I had grown up by the sea with sandhills at the top of the road. It was ‘other’ to the adult version of me, but familiar to the childhood person. I’ve always understood that these edges are liminal spaces in which things change quickly and much (too much) is contingent.