Review: THE NOTEBOOK: THE MUSICAL at Dr. Phillips Center For The Performing Arts
by Albert Gutierrez - May 14, 2026
The stage production does make a lot of strides that strengthens the endurance and popularity of this love story. It repeats iconic moments from the popular 2004 film, but isn’t aping the original screenplay in any way. A new libretto offers a fresh take that borrows the basic structure of the novel and memorable film moments, whilst breathing in new voices and new scenes that add different layers to these familiar characters.
Review: Make Farce Funny Again with POTUS at Theater West End
by Albert Gutierrez - May 3, 2026
There’s a strange dichotomy that exists in live theater. I may not like the material, but will still find reason to love its execution. And at Theater West End, they’ve culled together a company of players who help elevate the material of POTUS into a comedy that now exists thanks to their approach to the characters. They form a symbiotic relationship with the audience throughout the two acts to make us still care for them, for their arcs, and for their resolutions – no matter how far-fetched it may seem. This is where the production of POTUS shines.
Exclusive: SUFFS Finds Perfect Partner in PBS, Says Shaina Taub
by Josh Sharpe - May 4, 2026
Ahead of the debut PBS airing of Suffs, BroadwayWorld caught up with Shaina Taub to discuss the origins of the Suffs proshot, the importance of arts accessibility, and why PBS was the right platform to spotlight this history-making musical.
Review: Updated FLOWER DRUM SONG Returns to Los Angeles by East West Players
by Shari Barrett - Apr 29, 2026
Astounding triple-threat talent is on display in big production numbers with attention-grabbing scenic elements by brilliant designers add to the artistic wonder of the entire production helmed by EWP Artistic Director Lily Tung Crystal, choreographed by Janelle Dote Portman, with music direction by Marc Macalintal.
Review: ANGELS IN AMERICA, PART TWO: PERESTROIKA at Theater West End
by Albert Gutierrez - Feb 21, 2026
Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule. Originally, I was concerned that the Part Two of it all might turn away prospective theatergoers. But upon watching both parts now, and bearing in mind my own familiarity for the characters, I can also see now how the original production’s 18-month gap would have also been enticing for an audience.
Review: ANGELS IN AMERICA, PART ONE: MILLENNIUM APPROACHES at Theater West End
by Albert Gutierrez - Jan 18, 2026
While much of the dramatic weight of Angels in America undeniably stems from the specter of AIDS, it would do the play a huge disservice to reduce it to a story about disease alone. What Theater West End makes clear is that Kushner’s work is as much about identity, loss, and the human struggle to reconcile who we are deep down with who we present to the world.
A Psychological Duel in Asbury Park: de Rogatis and LeBlanc Take on Albee
by Team BWW - Jan 2, 2026
This January, the Jersey Shore Arts Center will become the staging ground for a masterclass in psychological warfare. Under the sharp, unflinching direction of Theo Devaney, Edward Albee’s seminal masterpiece, At Home at the Zoo, finds new life in a production that promises to be as visceral as it is intellectual. At the heart of this revival are two powerhouses of the craft: three-time Emmy winner and daytime icon Christian Jules LeBlanc and acclaimed Off-Broadway actor and Ruth Stage Chairman Matt de Rogatis.
A History of Musical Concept Albums
by Jennifer Ashley Tepper - Jan 4, 2026
The idea of the concept album took flight at the same time as the idea of the rock musical. A concept album introduces audiences to the score of a musical by deliberately releasing an album of the songs before any live production exists at all. The concept album ostensibly stands on its own terms.
John Cameron Mitchell Will Lead OH, MARY! on Broadway
by Stephi Wild - Dec 11, 2025
Tony and Obie Award-winning actor, writer, and director John Cameron Mitchell will return to Broadway in the hit play Oh, Mary! for a limited 12-week engagement this winter. Learn more here!
Back to Nubia: Stories from the Making of AIDA After 25 Years
by Caitlin Hornik - Dec 6, 2025
In honor of the Aida’s 25th anniversary, BroadwayWorld spoke to stars Heather Headley (Aida), Adam Pascal (Radames), Sherie Rene Scott (Amneris), Schele Williams (Nehebka), as Thomas Schumacher (original producer and Disney Theatrical Group chief for its first three decades), lyricist Tim Rice, and book writer David Henry Hwang to compile an oral history of the show’s early days, transition to Broadway, and legacy beyond the boards.
Review: THE NOTEBOOK at Orpheum Theatre Memphis
by AniKatrina Fageol - Oct 29, 2025
If you are a fan of Nicholas Sparks's novel The Notebook or the 2004 film of the same title (starring Ryan Gosling and Rachel McAdams, you do not want to miss this production. It is a beautiful love story of endurance and hope even amidst the constant trials.
PLAYS FOR THE PLANET Comes to Teatro Paraguas
by Stephi Wild - Oct 23, 2025
'Plays For the Planet” is a free one hour program of staged readings of short plays. The program will feature a post-show reception and Q&A with Demis Foster, Chief Executive Officer of CVNM and co-producer and director Joan Lipkin.
Interview: Justin Meyer of DRACULA: THE MUSICAL at Nocturne Theatre
by Melissa Heckscher - Oct 3, 2025
Nocturne Theatre co-owner talks to BroadwayWorld about extending the Glendale theater's sold-out run of DRACULA—as well as how the timing of the show plays perfectly with this year's vampire-themed 'Haunted Soiree' monthlong cocktail party.
Review: LA CAGE AUX FOLLES at Dr. Phillips Center For The Performing Arts
by Albert Gutierrez - Sep 20, 2025
Drag culture in La Cage aux Folles isn’t just the “bold face” of the gay community; it’s a celebration of visibility itself, a way of inviting even those on the periphery to understand more deeply what it means to live authentically, unbothered, and unashamed.
Interview: Terry Baum of LESBO SOLO: MY GAY HISTORY PLAY at The Marsh Berkeley
by Jim Munson - Sep 19, 2025
BroadwayWorld chats with pioneering lesbian playwright and performer Terry Baum about her latest show 'Lesbo Solo: My Gay History Play' running at The Marsh Berkeley through October 12th. Her hilarious and deeply moving piece won 'Best of Fringe' at the San Francisco Fringe Festival.