Review: THE NOTEBOOK: THE MUSICAL at Dr. Phillips Center For The Performing Arts
by Albert Gutierrez - May 14, 2026
The stage production does make a lot of strides that strengthens the endurance and popularity of this love story. It repeats iconic moments from the popular 2004 film, but isn’t aping the original screenplay in any way. A new libretto offers a fresh take that borrows the basic structure of the novel and memorable film moments, whilst breathing in new voices and new scenes that add different layers to these familiar characters.
Review: Make Farce Funny Again with POTUS at Theater West End
by Albert Gutierrez - May 3, 2026
There’s a strange dichotomy that exists in live theater. I may not like the material, but will still find reason to love its execution. And at Theater West End, they’ve culled together a company of players who help elevate the material of POTUS into a comedy that now exists thanks to their approach to the characters. They form a symbiotic relationship with the audience throughout the two acts to make us still care for them, for their arcs, and for their resolutions – no matter how far-fetched it may seem. This is where the production of POTUS shines.
Exclusive: SUFFS Finds Perfect Partner in PBS, Says Shaina Taub
by Josh Sharpe - May 4, 2026
Ahead of the debut PBS airing of Suffs, BroadwayWorld caught up with Shaina Taub to discuss the origins of the Suffs proshot, the importance of arts accessibility, and why PBS was the right platform to spotlight this history-making musical.
Billy Crystal Will Return to Broadway in New Solo Show, 860
by Nicole Rosky - Apr 15, 2026
Tony and Emmy Award-winner Billy Crystal will return to Broadway this fall in a new one-man show, 860, written and performed by Mr. Crystal and directed by Olivier Award-winner Scott Ellis. We have all of the details!
Review: Matthew Lombardo's WHEN PLAYWRIGHTS KILL Slays with Laughter
by R. Scott Reedy - Apr 14, 2026
Seven years ago, an already hot summer in Boston heated up even more during a pre-Broadway tryout of a truncated version of playwright Matthew Lombardo’s “Tea at Five” at the Huntington Theatre when its star, Academy Award winner Faye Dunaway, was fired after allegations that she physically and verbally assaulted crew members on the troubled production.
As Female Playwrights Lose Ground, Female Critics Are Making History
by Cara Joy David - Mar 30, 2026
The biggest change from prior years is at The New York Times, where Helen Shaw became the first female chief theater critic at the paper of record earlier this year. Previously, The Times has had plenty of female second-string critics, but the top seat was always held by a man.
Party of One: Broadway’s Solo Show Takeover
by Jennifer Ashley Tepper - Apr 12, 2026
Broadway has a long history of one-person shows, including many that have been added to the canon in this century. Seeing one actor powerfully create a whole world on stage can be an exceptional experience. Of course, one handers are hardly one-person projects; while there may only be one actor on stage, they are collaborating with an entire team of creatives, designers, and behind-the-scenes personnel to bring a show to life.
Tanglewood 2026 Popular Artist Series Adds Cynthia Erivo, Hugh Jackman, and More
by A.A. Cristi - Mar 18, 2026
The Tanglewood Popular Artist Series, which each year brings a star-studded lineup of musicians and performers to Tanglewood’s Koussevitzky Music Shed, continues to expand its 2026 summer season with the addition of Jon Stewart among a roster of major artists across genres including rock, country, pop, Broadway, and soul.
Review: ANGELS IN AMERICA, PART TWO: PERESTROIKA at Theater West End
by Albert Gutierrez - Feb 21, 2026
Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule. Originally, I was concerned that the Part Two of it all might turn away prospective theatergoers. But upon watching both parts now, and bearing in mind my own familiarity for the characters, I can also see now how the original production’s 18-month gap would have also been enticing for an audience.
A Psychological Duel in Asbury Park: de Rogatis and LeBlanc Take on Albee
by Team BWW - Jan 2, 2026
This January, the Jersey Shore Arts Center will become the staging ground for a masterclass in psychological warfare. Under the sharp, unflinching direction of Theo Devaney, Edward Albee’s seminal masterpiece, At Home at the Zoo, finds new life in a production that promises to be as visceral as it is intellectual. At the heart of this revival are two powerhouses of the craft: three-time Emmy winner and daytime icon Christian Jules LeBlanc and acclaimed Off-Broadway actor and Ruth Stage Chairman Matt de Rogatis.
A History of Musical Concept Albums
by Jennifer Ashley Tepper - Jan 4, 2026
The idea of the concept album took flight at the same time as the idea of the rock musical. A concept album introduces audiences to the score of a musical by deliberately releasing an album of the songs before any live production exists at all. The concept album ostensibly stands on its own terms.
Back to Nubia: Stories from the Making of AIDA After 25 Years
by Caitlin Hornik - Dec 6, 2025
In honor of the Aida’s 25th anniversary, BroadwayWorld spoke to stars Heather Headley (Aida), Adam Pascal (Radames), Sherie Rene Scott (Amneris), Schele Williams (Nehebka), as Thomas Schumacher (original producer and Disney Theatrical Group chief for its first three decades), lyricist Tim Rice, and book writer David Henry Hwang to compile an oral history of the show’s early days, transition to Broadway, and legacy beyond the boards.
The History of Feminist Plays That Came Before LIBERATION
by Jennifer Ashley Tepper - Oct 28, 2025
As the fight for women to have equal rights and opportunities has evolved, so has the presence of plays telling these stories. When I wrote my book, Women Writing Musicals: The Legacy that the History Books Left Out, the first-ever book about female musical theatre writers, I researched many musicals that are in this genre as well.
Interview: Terry Baum of LESBO SOLO: MY GAY HISTORY PLAY at The Marsh Berkeley
by Jim Munson - Sep 19, 2025
BroadwayWorld chats with pioneering lesbian playwright and performer Terry Baum about her latest show 'Lesbo Solo: My Gay History Play' running at The Marsh Berkeley through October 12th. Her hilarious and deeply moving piece won 'Best of Fringe' at the San Francisco Fringe Festival.
All the Off-Broadway Shows to See in Fall 2025 - A Complete Guide
by Chloe Rabinowitz - Sep 17, 2025
BroadwayWorld is here with your fall 2025 guide to all the shows lighting up New York’s stages. From world premieres to long-awaited revivals, this season’s Off-Broadway lineup delivers something for every kind of theater fan!