Based on L. Frank Baum's children's book, "The Wonderful Wizard of Oz", The Wiz takes one of the world's most enduring (and enduringly white) American fantasies, and transforms it into an all-Black musical extravaganza for the ages. Featuring a book by William F. Brown and a Tony Award-winning score by Charlie Smalls (and others), this entirely reimagined revival is directed by Schele Williams, choreographed by Jaquel Knight, additional material by Amber Ruffin, and music supervision, orchestrations, and music arrangements by Joseph Joubert.
This revival, directed by Schele Williams and with a book update by Amber Ruffin, toured the country before coming to Broadway, and will ease on back out there later this year. I first caught it in Chicago, when the production remained a bit of a mess, and can report that the Broadway version reflects a lot of good new work. An initially bizarre approach to “Brand New Day” has been visually retooled and, although JaQuel Knight’s choreography retains an eccentric dimension (and I say why not?), it’s now a bright detour into psychedelic “Hair” territory. The show is modestly scaled; the quirky set is from Hannah Beachler and the costumes, which are fun and referential, are by Sharen Davis. Wayne Brady has been added to the cast in a title role that’s more of a cameo, really. But The Wiz really has to be a face that audiences recognize, that’s just about as important as the quality of the performance, and Brady is well within his wheelhouse and perfectly fine. He does what needs to be done and is bathed in a warm responsive bath.
With all the show-stopping singing and dancing and voluptuous acting — from most prominently Lewis, Freeman, Richardson, and Wilson — it could be said that The Wiz gives the enthusiastic audience its money’s worth. True and not so true. What about giving the audience more than its money’s worth? What about giving the ticket buyers a better tale than this backwards glance is currently providing? Or is this version of The Wiz not so much a backward glance as a flash forward? As a matter of disappointing fact, what’s on view now is not entirely Williams’ book.
General Rush
Price: $45
Where: Marquis Theatre box office (210 W 46th St)
When: Beginning at 10 AM ET on the day of the performance.
Limit: Two per customer.
Information: Subject to daily availability. Seat locations for this program vary and may be available in all sections of the theatre. Locations are determined each by the show’s management and assigned at the discretion of the Box Office at time of purchase.
Digital Lottery:
Price: $45
Where: https://lottery.broadwaydirect.com/show/the-wiz-ny/.
When: Winners are drawn the same day at 3 PM ET and will have one hour to pay for their tickets online.
Limit: Two per customer
Information: Lottery seats may be partial view.
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