Good intentions. Bad decisions. Great fun. In Larissa FastHorse’s satirical comedy The Thanksgiving Play, a troupe of really well-meaning theater artists dream of creating something revolutionary: a culturally sensitive, totally inoffensive Thanksgiving school pageant that finally gives a voice to Native Americans. Finding said Native Americans... isn’t so simple. And that’s when things start to get absurd. Sending up a whole feast of social issues, this bitingly funny play roasts everything right, wrong, and woke in America.
The Thanksgiving Play makes fun of earnest white liberals acting in overly socially conscious ways, in much the same way as Bill Maher does every Friday night. Sure, have at it. But the shared derision is, in essence, no different to the fulminations against “woke” and “political correctness” of the right wing. The end result is the same: the “woke” and “politically correct” end up as being seen as the villains, rather than those brazenly and unapologetically attacking and destroying the rights of minorities. Are the white liberal “woke” the enemy of progress at this cultural moment, or do they just make for an easier comedy target than those succeeding in their efforts to attack the most marginalized groups in society? Perhaps playwrights will focus on their imaginations on bigger, clear and present monsters—and quit the lazy shooting of fish in the barrel. In the climate of now, these jokes are just adding to a depressingly destructive chorus.
Spring doesn't seem the most logical season for the show's Broadway bow, but Rachel Chavkin’s tight production arrives with panache. Costume designer Lux Haac invokes the quintessential drama teacher vibe in Logan’s corduroy wardrobe, while scenic designer Riccardo Hernandez delights in the play’s Bacchanalian twist. Logan mines theatricality from the group with her demands to dig deeper and to be more honest with themselves, then shuts down the bloody spectacle, screeching her fears of the school board. The scene is a moment of triumph for the designers, but it doesn’t move the characters forward, perhaps on purpose. They will always be stuck in a circle of white guilt and trip over themselves while they debate how to escape. The damage is real, both on stages across the nation and off, but FastHorse's exploration of it is for everyone’s benefit, striking the balance between educational and entertaining without hammering home the reminder.
Digital Rush
Price: $43
Where: TodayTix.com
When: 9am on the day of the show.
Limit: Two per customer
Information: Subject to availability.
General Rush
Price: $45
Where: Hayes Theatre box office
When: Available 2 hours prior to curtain.
Limit: Two per customer
Information: Determined at the discretion of the box office. Subject to daily availability.
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