Martha’s Vineyard, 1974: shooting on ‘Jaws’ has stalled. The film’s lead actors – Robert Shaw, Roy Scheider and Richard Dreyfuss – are stuck on a boat, at the mercy of foul weather and a faulty mechanical co-star. Awash with alcohol and ambition, three hammered sharks start to bare their teeth…Directed by Guy Masterson, THE SHARK IS BROKEN reveals the hilarious behind-the-scenes drama on one of Hollywood’s biggest blockbusters.
“What psychological insights into Shaw might we be offered?” I wondered on the way into the theater, “What deep-dive revelations await from a creative act that would appear to be both hubristic and profoundly courageous?” The younger Shaw must have had a window into his father that would have eluded most biographers. Or so you’d think. Alas, the show doesn’t deliver much at all. Not only is the low-stakes script dull and pedestrian, but the characters change not at all, despite the premise of three wild men sitting in a boat, waiting not for Godot but sharks and Spielberg. “The Shark is Broken” had its origins at the Edinburgh Festival, and in that context, it no doubt was a good campy laugh, especially for an audience that had followed Shaw’s pre-gaming example. But it makes for thin Broadway gruel, alas, with a 90-minute running time, a straight-up POV, and a series of behind-the-camera recreations of a situation that already has been much dissected and discussed.
All of that is faithfully rendered in “The Shark Is Broken,” which opened on Thursday at the Golden Theater, in a production directed by Guy Masterson. There’s a perfect replica of the Orca bobbing prettily on a C.G.I. sea, and costumes minutely matched to the film. (Duncan Henderson is the designer.) Accents, postures, props and hairstyles are fanatically accurate; there’s even a hat-tip (by Adam Cork) to John Williams’s sawing, rasping theme at the start. But these details do not on their own create much dramatic interest. Plots consisting of hurry-up-and-wait rarely do. Were it not for its curious meta-story, the play would be little more than a pleasant diversion: 95 minutes of bloodless, toothless, Hollywood-adjacent dramedy.
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