Two-time Tony Award, Grammy Award, and Emmy Award winner Hugh Jackman will make his highly anticipated return to Broadway in what is widely agreed to be the greatest role ever created for an actor in the history of musical theater: Professor Harold Hill in Meredith Willson’s beloved classic, The Music Man. Two-time Tony Award-winning musical comedy superstar Sutton Foster will star as Marian Paroo. The production, directed by four-time Tony Award winner Jerry Zaks, with choreography by Tony Award winner Warren Carlyle, will begin performances on September 9, 2020, and officially open on October 15, 2020.
One of the most universally cherished treasures of the American musical theater, The Music Man was an instant smash hit when it premiered on Broadway on December 19, 1957. It went on to win five Tony Awards, including the prize for Best Musical, and ran for 1,375 performances. The Smithsonian Institution ranks The Music Man as one of the "great glories" of American popular culture.
The musical, which opened on Thursday night at the Winter Garden Theater, only intermittently offers the joys we expect from a classic revival starring Hugh Jackman and Sutton Foster - especially one so obviously patterned on the success of another classic revival, 'Hello, Dolly!,' a few seasons back. The frenzy of love unleashed in that show by Bette Midler, supported by substantially the same creative team - including the director Jerry Zaks, the choreographer Warren Carlyle and the set and costume designer Santo Loquasto - has gone missing here, despite all the deluxe trimmings and 42 people onstage. Instead we get an extremely neat, generally perky, overly cautious take on a musical that, being about the con game of love and music, needs more danger in the telling.
The highly, if not ecstatically, anticipated revival of 'The Music Man' - pandemic-delayed and pandemic-plagued - was the obvious, if not the only, candidate to bring a jolt of much-needed excitement to the business. More's the pity, then, that this undeniably polished production, with its ticket-sales-galvanizing star, Hugh Jackman, proves to be a sadly mechanical, overproduced and overdesigned revival of a musical that needs tender care to allow its undeniable charms to bloom.
1957 | Broadway |
Original Broadway Production Broadway |
1961 | West End |
London Production West End |
1965 |
Regional Revival |
|
1965 | Off-Broadway |
City Center Revival Off-Broadway |
1980 | Broadway |
Broadway Revival Broadway |
2000 | Broadway |
Broadway Revival Broadway |
2019 | Washington, DC (Regional) |
Broadway Center Stage Revival Washington, DC (Regional) |
2022 | Broadway |
Broadway Revival Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2022 | Drama Desk Awards | Outstanding Costume Design for a Musical | Santo Loquasto |
2022 | Drama League Awards | Distinguished Achievement in Musical Theater | Hugh Jackman |
2022 | Drama League Awards | Distinguished Performance Awards | Sutton Foster |
2022 | Drama League Awards | Outstanding Direction of a Musical | Jerry Zaks |
2022 | Drama League Awards | Outstanding Revival of a Musical | The Music Man |
2022 | Outer Critics Circle Awards | Outstanding Choreography | Warren Carlyle |
2022 | Outer Critics Circle Awards | Outstanding Costume Design (Play or Musical) | Santo Loquasto |
2022 | Outer Critics Circle Awards | Outstanding Revival of a Musical (Broadway or Off-Broadway) | The Music Man |
2022 | Tony Awards | Best Choreography | Warren Carlyle |
2022 | Tony Awards | Best Costume Design of a Musical | Santo Loquasto |
2022 | Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | Hugh Jackman |
2022 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Jayne Houdyshell |
2022 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Sutton Foster |
2022 | Tony Awards | Best Revival of a Musical | Caroline, or Change |
2022 | Tony Awards | Best Revival of a Musical | The Music Man |
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