Two extraordinary actresses return to Manhattan Theatre Club in a vibrant new production of Lillian Hellman's The Little Foxes.
In a thrilling coup, MTC will present three-time Tony Award nominee Laura Linney (Time Stands Still, Sight Unseen) and Tony winner Cynthia Nixon (Rabbit Hole, Wit), who will alternate playing the roles of Regina and Birdie in Lillian Hellman's legendary play about greed and ambition.
Set in Alabama in 1900, The Little Foxes follows Regina Giddens and her ruthless clan, including her sister-in-law Birdie, as they clash in often brutal ways in an effort to strike the deal of their lives. Far from a sentimental look at a bygone era, the play has a surprisingly timely resonance with important issues facing our country today. Tony winner Daniel Sullivan (Proof, Rabbit Hole) will direct.
An interesting thing is happening at the Samuel J. Friedman Theatre: all-stars Laura Linney (The Big C) and Cynthia Nixon (Sex and the City) are alternating the roles of headstrong, conniving Regina Giddens and meek, abused Birdie Hubbard in the Manhattan Theater Club's revival of Lillian Hellman's 1939 play The Little Foxes. In theory, it's a fascinating experiment-especially for theatergoers who have the resources to see both versions of the show, as I was able to. But in practice, one pairing has just a bit more magic in it than the other.
Both prove to be equally effective in either role - a sign of each actress' talent and the production's overall perfection. Regina's is the meatier part with the most stage time, storing through all three acts. Birdie's one truly memorable appearance occurs at the start of the third act, with a touching speech about how rarely she's experienced happiness. As they change, so do the supporting characters around them. Richard Thomas delivers a particularly physical performance as Horace, who sees the world with the clarity of a dying man. His moves to punish Regina's ambition read more vengeful with Linney, and more controlling with Nixon.
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