With her family away at the 1965 state fair, Francesca Johnson looks forward to a rare four days alone on her Iowa farm. But when ruggedly handsome National Geographic photographer Robert Kincaid pulls into her driveway seeking directions, what happens in those four days may very well alter the course of Francesca's life. Based on the best-selling novel, and developed by a Pulitzer- and Tony Award-winning creative team, this new musical captures the lyrical expanse of America's heartland along with the yearning entangled in the eternal question, 'What if...?'"
The Bridges of Madison County stars four-time Tony Award nominee Kelli O'Hara (South Pacific, The Pajama Game) and Steven Pasquale (Rescue Me, reasons to be pretty). It features a score by Tony Award winner Jason Robert Brown (Parade, The Last Five Years) and a libretto by Tony Award and Pulitzer Prize winner Marsha Norman (The Color Purple, The Secret Garden). It will be directed by Tony Award winner Bartlett Sher (The Light in the Piazza, South Pacific), who reunites with his celebrated Tony Award-winning South Pacific design team, including scenic designer Michael Yeargan, costume designer Catherine Zuber, and lighting designer, Donald Holder. Sound Design is by Jon Weston (How to Succeed..., The Color Purple).
The engaging new musical 'The Bridges of Madison County,' now open at the Gerald Schoenfeld Theatre, left me wondering two things. First: Can Kelli O'Hara do anything? And second: Are we so starved for affection we're willing to give over our hearts to a story that is - sorry, folks! - utterly preposterous? Even after swooning over the book? And sighing over the movie? The answers: Indeed, Kelli O'Hara can do anything, darn near perfectly, including transform herself into a chestnut-haired Italian beauty who, for the better part of two decades, has assumed the role of an Iowa housewife. And, apparently ... yes. We are suckers for a good love story, no matter the form, and even when it's likely we recall the outcome.
I am happy to say that Ms. O'Hara more than keeps the promises made by her interpretation of that first song, one of many sumptuous pieces that feel as if they had been written specifically for her by the show's composer, Jason Robert Brown. She also confirms her position as one of the most exquisitely expressive stars in musical theater. Her Francesca, a questioning farmer's wife who briefly discovers a love with all the answers, brings a rich and varied topography to what might have been strictly flat corn country. True, the rest of the show, directed by Bartlett Sher with a script by Marsha Norman, isn't nearly as multidimensional. Though Ms. O'Hara has a lust-worthy leading man in Steven Pasquale, most of what surrounds her has the depth of a shiny picture postcard, one that bears a disproportionately long and repetitive message. Still, when you have a central performance as sensitive, probing and operatically rich and lustrous as Ms. O'Hara's, you won't find me kvetching too loudly...
Videos