The Barber of Seville Revival 1947

On Wednesday, April 21, We begin this week’s tour with one of the Los Angeles Opera website’s most popular “Living Room Recitals.” Soprano, Latonia Moore sings with pianist Roberto Berrocal. After the recital, we leave for NYC. On arrival, we go to Shut Up and Eat, a most generous Toms River restaurant that offers a discount to patrons in pajamas. 

San Diego Opera has announced addition to its 2019-2020 season with the Bel Canto Trio for one-night-only on Wednesday, March 4, 2020 at 7:30 PM at The Conrad Preby Performing Arts Center in the Baker-Baum Concert Hall (7600 Fay Ave, La Jolla, CA 92037). In 1947 Columbia Artist Management created The Bel Canto Trio, featuring tenor Mario Lanza, soprano Frances Yeend, and bass-baritone George London.

In a new production commissioned by the Finborough Theatre and continuing their rediscovery of James Bridie, one of the West End's most successful dramatists of the 1930s and 1940s, the first London production since its 1950 premiere of Mr Gillie runs at the Finborough Theatre, playing Sunday and Monday evenings and Tuesday matinees from Sunday, 25 June 2017 (Press Night: Monday, 26 June 2017 at 7.30pm).

Music Director Alan Gilbert begins his final weeks by leading the New York Philharmonic in Schoenberg's A Survivor from Warsaw and Beethoven's Symphony No. 9. The program juxtaposes the tragedy and optimism of human experience through Schoenberg's depiction of the horror of the Holocaust and the message of hope, brotherhood, and joy in Beethoven's Ninth Symphony. Schoenberg's A Survivor from Warsaw will feature Gabriel Ebert as narrator (in his Philharmonic debut) and the men of the Westminster Symphonic Choir, directed by Joe Miller. Beethoven's Ninth Symphony will feature soprano Camilla Tilling, mezzo-soprano Daniela Mack (debut), tenor Joseph Kaiser (debut), bass-baritone Eric Owens, and the Westminster Symphonic Choir, directed by Joe Miller. The performances will take place Wednesday, May 3, 2017, at 7:30 p.m.; Thursday, May 4 at 7:30 p.m.; Friday, May 5 at 8:00 p.m.; Saturday, May 6 at 8:00 p.m.; and Tuesday, May 9 at 7:30 p.m. The program will be presented without intermission.

In a production commissioned by the Finborough Theatre, and rediscovering one of the West End's most popular dramatists of the 1930s and 1940s, Dr Angelus by James Bridie starring David Rintoul and Malcolm Rennie plays at the acclaimed Finborough Theatre on Sunday and Monday evenings and Tuesday matinees from Sunday, 27 November 2016 (Press Night: Monday, 28 November 2016 at 7.30pm).

This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera,theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights. These include a rare, fully staged production of Iris, a forerunner of Madama Butterfly by Puccini's close contemporary Pietro Mascagni; the world premiere of Demolishing Everything with Amazing Speed, four newly unearthed puppet plays from leading Italian Futurist Fortunato Depero, as reimagined by Dan Hurlin;the world premiere of Fantasque, a new ballet set to the music of Respighi and Rossini by John Heginbotham and Amy Trompetter; a film series on "Puccini and the Operatic Impulse in Cinema"; and the return of Bard's authentic and sensationally popularSpiegeltent,hosted by the inimitable Mx. Justin Vivian Bond. Taking place between July 1 and August 14 in the Frank Gehry-designed Richard B. Fisher Center for the Performing Arts and other venues on Bard College's stunning Hudson River campus, SummerScape's 2016 offerings provide new opportunities to discover that, as Time Out New York puts it, "the experience of entering the Fisher Center and encountering something totally new is unforgettable and enriching." Tickets go on sale on Monday, February 15; click here for more information.

Bang the Lion has lost his beat. How will he find it? The Lolli-Pops gang, guest conductor James Judd, and audiences will help him, as The Little Orchestra Society (LOS) presents, WHO'S GOT THE BEAT?, today, February 9, at 10:00 a.m. and 11:30 a.m., and Sunday, February 10, at 1:00 p.m. and 2:30 p.m., at The Kaye Playhouse at Hunter College (68th St. between Park and Lexington Aves.).

Bang the Lion has lost his beat. How will he find it? The Lolli-Pops™ gang, guest conductor James Judd, and audiences will help him, as The Little Orchestra Society (LOS) presents, WHO'S GOT THE BEAT?, on Saturday, February 9, at 10:00 a.m. and 11:30 a.m., and Sunday, February 10, at 1:00 p.m. and 2:30 p.m., at The Kaye Playhouse at Hunter College (68th St. between Park and Lexington Aves.).

For 100 years, Universal Pictures has been entertaining audiences all around the world with some of the most unforgettable movies ever made. For a limited time only, own a piece of Hollywood history with the Universal 100th Anniversary Collection arriving on Blu-ray™ and DVD today, November 6, 2012 from Universal Studios Home Entertainment.

For 100 years, Universal Pictures has been entertaining audiences all around the world with some of the most unforgettable movies ever made. For a limited time only, own a piece of Hollywood history with the Universal 100th Anniversary Collection arriving on Blu-ray™ and DVD on November 6, 2012 from Universal Studios Home Entertainment.

Lincoln Center Festival began with the idea of expanding the possibilities presented at Lincoln Center and bringing to audiences something that they could not see elsewhere. This is a challenging goal in a city as culturally rich as New York, and the result has been an eclectic mix of artists and productions representing over 50 countries as of Festival 2009.

Lincoln Center Festival began with the idea of expanding the possibilities presented at Lincoln Center and bringing to audiences something that they could not see elsewhere. This is a challenging goal in a city as culturally rich as New York, and the result has been an eclectic mix of artists and productions representing over 50 countries as of Festival 2009.

Lincoln Center Festival began with the idea of expanding the possibilities presented at Lincoln Center and bringing to audiences something that they could not see elsewhere. This is a challenging goal in a city as culturally rich as New York, and the result has been an eclectic mix of artists and productions representing over 50 countries as of Festival 2009.