Screenings will kick off with the Opening Night presentation of Mark Fletcher’s Patrick and the Whale, followed by the Centerpiece Selections of Ben Klein and Violet Columbus’ The Exiles and Shaunak Sen’s All That Breathes, with Kathlyn Horan’s The Return of Tanya Tucker – Featuring Brandi Carlile screening on Closing Night.
Following a sold-out and critically acclaimed run at the Edinburgh Fringe 2021, Mediocre White Male returns to London, with a run at the King's Head Theatre with performances from 15 August – 2 September, with a press night on Wednesday 17 August.
The CAPA Summer Movie Series, the longest-running classic film series in America, today announced an abbreviated schedule for its 51st series of classic films and cult favorites.
Happy Gay Pride! BWW Reviewer Peter Nason chooses the 101 greatest LGBTQ songs and anthems from 1920-2020. See if your favorite songs or artists made the grade!
Trap Door Theatre Presents THE WHITE PLAGUE.
TheaterWorks announced final casting today for RAGING SKILLET by Jacques Lamarre the 5th show of TheaterWorks 31st Season.
The Mint Theater will follow the extended run of the acclaimed A Day by the Sea with the World Premiere of Yours Unfaithfully by Miles Malleson, an "un-Romantic Comedy" about the price of free love.
The Mint Theater, currently enjoying the extended run of the acclaimed A Day by the Sea will follow that with the World Premiere of Yours Unfaithfully by Miles Malleson, an 'un-Romantic Comedy' about the price of free love.
The Mint Theater, currently enjoying the extended run of the acclaimed A Day by the Sea will follow that with the World Premiere of Yours Unfaithfully by Miles Malleson, an 'un-Romantic Comedy' about the price of free love.
The award-winning Equity professional East Lynne Theater Company announces its 2016 Cape May Mainstage Season. As usual, it includes classic gems, a NJ premiere, and a radio show. This year's theme is 'Love Bites.'
The award-winning Equity professional East Lynne Theater Company announces its 2016 Cape May Mainstage Season. As usual, it includes classic gems, a NJ premiere, and a radio show. This year's theme is 'Love Bites.'
The Kennedy Center hosts its 14th annual Page-to-Stage new play festival from Today, September 5 to Monday, September 7, 2015, featuring more than 50 theaters from the D.C. metropolitan area, all with a mission to produce and support new work. The 14th Annual Page-to-Stage event showcases more than 40 new plays by female playwrights and includes nine works that are part of the citywide Women's Voices Theater Festival, which officially begins on September 8.
Sydney Theatre Company's (STC) Artistic Director, Andrew Upton, has announced the 2016 season, the last of which he will program before the position is handed over to Jonathan Church at the end of 2015.
The Kennedy Center hosts its 14th annual Page-to-Stage new play festival from Saturday, September 5 to Monday, September 7, 2015, featuring more than 50 theaters from the D.C. metropolitan area, all with a mission to produce and support new work. The 14th Annual Page-to-Stage event showcases more than 40 new plays by female playwrights and includes nine works that are part of the citywide Women's Voices Theater Festival, which officially begins on September 8.
THE STORY OF FILM: AN ODYSSEY is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe.
THE STORY OF FILM: AN ODYSSEY is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe.
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Videos