Noel Coward's totally-irresistible comedy, Present Laughter, follows a self-obsessed actor (is there any other kind?) in the midst of a mid-life crisis. Freely indulging his considerable appetite for wine, women and sleeping late (not necessarily in that order), the theatre's favorite leading man suddenly finds himself caught between fawning ingenues, crazed playwrights, secret trysts and unexpected twists.
Present Laughter first premiered on Broadway at the Plymouth Theatre in 1946, following an immensely successful wartime tour starring Coward himself. One of his most produced and beloved works, Present Laughter has come to define Coward's singular comedic voice for generations of theatergoers. In addition to Coward, some of the world's most accomplished stage actors, including the likes of Albert Finney, Peter O'Toole, and Ian McKellen, have played the lead role.
Kline's nimble hands deserve their own applause from theatergoers at the St. James. He employs them like semaphore flags, punctuating moments. Like when he turns one of his mitts into a muzzle to quiet a gabby young conquest (Tedra Millan). At times you'd like to hush the talky play, which Coward wrote in 1939. It wasn't performed until 1942, due to the onset of World War II. Set over a couple days in Garry's London home, the action tends to go in circles as he prepares to go on tour in Africa. He ends up juggling seductions and interruptions and moaning about craving solitude. As if. He lives for an audience.
An unruly cast of stylish denizens has arrived at the St. James Theatre just in time to relieve the torpor of all of us currently afflicted by, well, almost everything, and offer the New York spring season a comic confection whose ability to delight and distract almost never falters.
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