Martha Graham and her Dance Company 1960

Explore the reimagined roots of anti-fascist dance with Anna Sokolow's performance at the Library of Congress, now available for streaming on demand. Discover the extraordinary find of handwritten scores by Alex North for Sokolow's dances.

Join the Sokolow Theatre/Dance Ensemble for a free performance of 'Anna Sokolow and the Reimagined Roots of Anti-Fascist Dance' at the Library of Congress.

Discover the exciting line-up for the 92nd Street Y's Harkness Dance Center's 2023/24 season. Celebrating 150 years of modern dance history. Don't miss out on this extraordinary season that pays homage to the past while transforming for the future.

Two legends in experimental theater – the iconic writer/director Martha Clarke and the Tony Award-winning La MaMa ETC – will collaborate for the first time when La MaMa presents the world premiere of Ms. Clarke’s newest full-length work, GOD’S FOOL.

With Women in Theatre Through the Decades, we will be highlighting the vital role that women have played in theatre history, showcasing those who paved the way and who continue to make history today. This week, we are highlighting the accomplishments of women in theatre throughout the 1960s and the 1970s!

Held on January 29, 2021, this year's Symposium, entitled Dance and Immigration: A Symposium Beyond Boundaries, features the culminating projects from this year's cohort of Dance Research Fellows: Kiri Avelar, Ninotchka Bennahum, Phil Chan, Sergey Konaev, Yusha-Marie Sorzano and Ferne Regis, and Pam Tanowitz.

The 24th edition of the Istanbul Theatre Festival, organised by the Istanbul Foundation for Culture and Arts (İKSV) and sponsored by Koç Holding Energy Group Companies Aygaz, Opet and Tüpraş, will be held between 14 November and 1 December 2020 both on stage and online with a hybrid programme.

Individually, Beiser and Whelan captivated - Whelan walking contemplatively across the stage, Beiser seated in a power stance, limbs enfolding her cello. Together, they grounded the work's multi-disciplinary, hybrid structure with their various expertise along the spectrum of creative function. As a primer on post-modern movement built on a neo-classical ballerina and a musical marathon fusing classicism, romanticism, and modernism into a dense score, these artists triumphed despite navigating a heavily nuanced, deeply detailed construction.

Performance Space New York in collaboration with Arika and the Whitney Museum of American Art presents I wanna be with you everywhere, a gathering of, by, and for disabled artists and writers and anyone who wants to join in a series of programs that refuse policies of individuation and inclusion in favor of (and in the flavor of) whatever disability aesthetics has in bodymind. Organized by Arika, Amalle Dublon, Jerron Herman, Carolyn Lazard, Park McArthur, Alice Sheppard, and Constantina Zavitsanos, the festival features performances and readings by Eli Clare, John Lee Clark, Kayla Hamilton, Johanna Hedva, Jerron Herman, Cyr e Jarelle Johnson, Camisha L. Jones, Leah Lakshmi Piepzna-Samarasinha, Jordan Lord, NEVE, Akemi Nishida and Alice Sheppard.

New York Live Arts (Live Arts) to present the New York premiere of Netta Yerushalmy's Paramodernities, March 14-17, 2019, having commissioned the work as part of the Live Feed Residency Program. The complete six-part encyclopedic series is a multidisciplinary work that weaves theory and performance into a four-hour-long hybrid event. Yerushalmy and a cast of 20 dancers and scholars, ranging in age from 20 to 68, perform deconstructed installments of Nijinsky's “Sacre” (1913), Graham's “Night Journey” (1947), Ailey's “Revelations” (1960), a mix of Cunningham works “Rainforest,” “Sounddance”, “Points in Space”, “Beach Birds”,  and “Ocean” (1968-1990), dance numbers from the 1969 Fosse's film “Sweet Charity”, and a response to Balanchine's “Agon” (1957) that includes none of the original choreography.

Spring activities for the Centennial, which continues through all of 2019, include a wide range of performances, film screenings, discussions, education initiatives, community programming, and new works by other artists in conversation with Merce Cunningham's work.

Highly acclaimed for her "fierce choreographic imagination" (The New York Times), Netta Yerushalmy makes her Pillow debut with the world premiere of Paramodernities, August 8-12. By deconstructing and re-examining iconic works by choreographers Vaslav Nijinsky, Martha Graham, Alvin Ailey, Merce Cunningham, Bob Fosse, and George Balanchine, Yerushalmy dismantles the modern tradition with both reverence and intensity. Performed by a diverse cast of dancers alongside contributions by scholars and writers, Paramodernities assembles some of today's best and brightest minds to bridge the sometimes disparate worlds of dance and academia.

Highly acclaimed for her "fierce choreographic imagination" (The New York Times), Netta Yerushalmy makes her Pillow debut with the world premiere of Paramodernities, August 8-12. By deconstructing and re-examining iconic works by choreographers Vaslav Nijinsky, Martha Graham, Alvin Ailey, Merce Cunningham, Bob Fosse, and George Balanchine, Yerushalmy dismantles the modern tradition with both reverence and intensity. Performed by a diverse cast of dancers alongside contributions by scholars and writers, Paramodernities assembles some of today's best and brightest minds to bridge the sometimes disparate worlds of dance and academia.

Japan Society presents the New York City premiere of SITI Company's striking interpretation of Yukio Mishima's play Hanjo, created and performed by the internationally acclaimed ensemble theater SITI Company, in a new English Translation by SITI Co-Artistic Director Leon Ingulsrud, who also directs.

Japan Society proudly presents the New York City premiere of SITI Company's striking interpretation of Yukio Mishima's play Hanjo, created and performed by the internationally acclaimed ensemble theater SITI Company, in a new English Translation by SITI Co-Artistic Director Leon Ingulsrud, who also directs. Arriving as part of the NOH-NOW Series within Japan Society's Fall 2017-Winter 2017 Performing Arts Season, coinciding with the Society's 110th Anniversary, this production will have three performances, December 7 9, at Japan Society (333 East 47th Street).

Japan Society proudly presents the New York City premiere of SITI Company's striking interpretation of Yukio Mishima's play Hanjo, created and performed by the internationally acclaimed ensemble theater SITI Company, in a new English Translation by SITI Co-Artistic Director Leon Ingulsrud, who also directs. Arriving as part of the NOH-NOW Series within Japan Society's Fall 2017-Winter 2017 Performing Arts Season, coinciding with the Society's 110th Anniversary, this production will have three performances, December 7 9, at Japan Society (333 East 47th Street).

The legendary Martha Graham Dance Company (MGDC) will kick off its 90th Anniversary year in a seven-show engagement at Jacob's Pillow's historic Ted Shawn Theatre, August 26-30. Celebrating the company's pioneering past and trail-blazing reputation, MGDC's program features a diverse set of works including Graham's dramatic classic Embattled Garden, the world premiere of AXE by eminent choreographer Mats Ek, the powerful Depak Ine by Nacho Duato, and Echo by Greek choreographer Adonis Foniadakis.

The Deborah Zall Project presents both current and former members of the Martha Graham Dance Company in 'In the Company of Women, and Guests,' an evening of dances by Zall, along with the solo Robot Man choreographed by guest Kenneth Topping, former principal dancer and director of the Graham Dance Company.

The Deborah Zall Project presents both current and former members of the Martha Graham Dance Company in 'In the Company of Women, and Guests,' an evening of dances by Zall, along with the solo Robot Man choreographed by guest Kenneth Topping, former principal dancer and director of the Graham Dance Ensemble.

The Deborah Zall Project presents both current and former members of the Martha Graham Dance Company in 'In the Company of Women, and Guests,' an evening of dances by Zall, along with the solo Robot Man choreographed by guest Kenneth Topping, former principal dancer and director of the Graham Dance Company.

Miller Theatre at Columbia University School of the Arts continues the 2014-15 Bach, Revisited series with HELMUT LACHENMANN + BACH tonight, April 9, 2015, 8:00 p.m. featuring Ensemble Signal Rachel Calloway, mezzo-soprano, Ari Streisfeld, violin, Kelli Kathman, flute, and Lauren Radnofsky, cello.

Miller Theatre at Columbia University School of the Arts continues the 2014-15 Bach, Revisited series with HELMUT LACHENMANN + BACH Thursday, April 9, 2015, 8:00 p.m. featuring Ensemble Signal

Lois Duncan and James Ellroy have been chosen as the 2015 Grand Masters by Mystery Writers of America (MWA). MWA's Grand Master Award represents the pinnacle of achievement in mystery writing and was established to acknowledge important contributions to this genre, as well as for a body of work that is both significant and of consistent high quality. Ms. Duncan and Mr. Ellroy will be presented with their awards at the Edgar Awards Banquet, which will be held at the Grand Hyatt Hotel in New York City on Wednesday, April 29, 2015.

Meliora Press, an Imprint of the University of Rochester Press, announces the publication of Tim Draper: From Eastman Theatre's Muses to the Founding of Rochester City Ballet by Rochester writer Wendy Roxin Wicks.

Meliora Press, an Imprint of the University of Rochester Press, announces the publication ofTim Draper: From Eastman Theatre's Muses to the Founding of Rochester City Ballet by Rochester writerWendy Roxin Wicks.