The hilarious and provocative Hand to God centers on shy, inquisitive student Jason, who finds an outlet for his burgeoning creativity at the Christian Puppet Ministry in the devoutly religious, relatively quiet small town of Cypress, Texas. Jason's complicated relationships with the town pastor, the school bully, the girl next door and-most especially-his mother are thrown into further upheaval when Jason's hand puppet Tyrone-once soft-spoken-takes on a shocking and dangerously irreverent personality all its own. As Tyrone's influence over Jason steadily grows, Hand to God explores the startlingly fragile nature of faith, morality, and the ties that bind us.
Hand to God will feature the complete cast of the hit 2014 MCC Theater production: Steven Boyer as Jason/Tyrone; Geneva Carr, in her Broadway debut, as Margery; Tony Award nominee Marc Kudisch as Pastor Greg; Sarah Stiles as Jessica; and Michael Oberholtzer, in his Broadway debut, as Timmy. Boyer reprises the role for which he has been honored with an Obie Award, the Lucille Lortel Award for Outstanding Leading Actor in a Play, the Actors' Equity Association Clarence Derwent Award for Most Promising Newcomer, and a citation from the Drama League for Distinguished Performance, among other awards.
'Hand to God' -- a dark, irreverent and smart comedy by the young, previously unknown playwright Peter Askins -- is one hell of a great success story, having graduated step by step from off Off-Broadway to Off-Broadway to finally Broadway itself. This is the kind of raw and raunchy play you don't typically see on Broadway, but once there ends up making Broadway a more exciting place...Yet despite how silly it gets, 'Hand to God' is also a seriously disturbing portrait of an emotionally scarred mother and son who have spent so long suppressing their rage that it comes out in unpredictable and inappropriate ways.
...In this highly original and laudably fearless and politically incorrect piece - far indeed from the usual fare here - playwright Robert Askins has essentially taken this performance tradition further...Von Stuelpnagel's cast certainly goes everywhere this piece asks it to go, but the actors also convey a sense of ordinary folks struggling with the chaos that life can suddenly inflict on us all, whether it's in the form of troubled teenagers or bereavement or unfulfilled desire. That compassion is what takes 'Hand to God' beyond the usual condescension you find on Broadway toward Texans or people of faith in general...Boyer, the remarkable star of this enterprise, is thoroughly believable at every moment...'
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