William Finn and James Lapine's groundbreaking, Tony Award-winning musical FALSETTOS comes back to Broadway this fall in an all new production from Lincoln Center Theater. Lapine returns to direct an extraordinary cast featuring Stephanie J. Block (The Mystery of Edwin Drood, Tony nom.), Christian Borle (Something Rotten!, Tony Award), Andrew Rannells (The Book of Mormon, Tony nom), Anthony Rosenthal, Tracie Thoms, Brandon Uranowitz (An American in Paris, Tony nom.) and Betsy Wolfe.
FALSETTOS revolves around the life of a charming, intelligent, neurotic gay man named Marvin, his wife, lover, about-to-be-Bar-Mitzvahed son, their psychiatrist, and the lesbians next door. It's a hilarious and achingly poignant look at the infinite possibilities that make up a modern family... and a beautiful reminder that love can tell a million stories.
In fact, pretty much everything about Lincoln Center Theater's ideally cast Broadway revival, again directed by Lapine with as much humor as sensitivity, makes it pure pleasure. The musical is firmly knotted to its era, unfolding first in 1979, as New Yorker Marvin (Christian Borle) bails on his wife Trina (Stephanie J. Block) and son Jason (Anthony Rosenthal) to move in with his gay lover, Whizzer (Andrew Rannells); it then jumps forward to 1981, the dawn of the AIDS crisis, chronicling how this nontraditional family unit has expanded and then how it gets clobbered by the devastating reality of the time. But the characters are so fresh, the writing so emotionally insightful and the situations played with such feeling that Falsettos hasn't aged a day.
If this Lincoln Center Theater production, directed (like all the earlier New York incarnations) by Lapine, has any serious faults, they arise from that agenda. As written, Marvin is so nasty and erratic in the first act that the plot, which depends on so many people wanting his love, won't turn. Christian Borle can't resolve that contradiction and thus comes off a bit unsteady, at least until he regains his footing in the second act. The other principals, whose roles are more tightly written, are excellent throughout: Andrew Rannells delivering a super-high-gloss Whizzer without reducing him to a boytoy; Stephanie J. Block deftly coloring in Trina's insecurity (and stopping the show with 'I'm Breaking Down'); Brandon Uranowitz offering an unusually sexy Mendel; and Anthony Rosenthal making a crazy-confident Broadway debut as a sweet but not too-sweet Jason. (In the second half, Tracie Thoms and Betsy Wolfe are lovely as 'the lesbians from next door.') .
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