Die Dreigroschenoper 1928

An exceptionally fine group of musicians and singers.

In a remarkable find, a previously unknown composition by Kurt Weill was recently discovered in a Berlin archive. The three-page manuscript in the composer's hand bears the peculiar title 'Lied vom wei en K se' ('Song of the White Cheese,' lyric by G nther Weisenborn).

Music Director Alan Gilbert will lead the New York Philharmonic in the World Premiere of HK Gruber's Piano Concerto - a Philharmonic co-commission with the Berlin Philharmonic, Royal Concertgebouw, and Royal Stockholm Philharmonic orchestras - with pianist Emanuel Ax as soloist; Weill's Little Threepenny Music for Wind Orchestra; and Schubert's Symphony No. 2. The performances will take place Today, January 5, 2017, at 7:30 p.m.; Friday, January 6 at 8:00 p.m.; and Saturday, January 7 at 8:00 p.m.

Music Director Alan Gilbert will lead the New York Philharmonic in the World Premiere of HK Gruber's Piano Concerto - a Philharmonic co-commission with the Berlin Philharmonic, Royal Concertgebouw, and Royal Stockholm Philharmonic orchestras - with pianist Emanuel Ax as soloist; Weill's Little Threepenny Music for Wind Orchestra; and Schubert's Symphony No. 2. The performances will take place Thursday, January 5, 2017, at 7:30 p.m.; Friday, January 6 at 8:00 p.m.; and Saturday, January 7 at 8:00 p.m.

Author Ethan Mordden discusses the lives and the romance of two theatre legends - actress/singer Lotte Lenya and composer Kurt Weill, the subjects of his new book, Love Song - on the latest edition of THEATER TALK, premiering at 1 a.m. tonight, October 26 (2012; early Saturday morning) on Thirteen/PBS, followed in New York City on CUNY TV* Saturday at 8:30 PM, Sunday at 12:30 PM, and Monday at 7:30 AM, 1:30 PM, and 7:30 PM. The series is co-hosted by Michael Riedel of the New York Post and producer Susan Haskins.

Author Ethan Mordden discusses the lives and the romance of two theatre legends - actress/singer Lotte Lenya and composer Kurt Weill, the subjects of his new book, Love Song - on the latest edition of THEATER TALK, premiering at 1 a.m. on Friday, October 26 (2012; early Saturday morning) on Thirteen/PBS, followed in New York City on CUNY TV* Saturday at 8:30 PM, Sunday at 12:30 PM, and Monday at 7:30 AM, 1:30 PM, and 7:30 PM. The series is co-hosted by Michael Riedel of the New York Post and producer Susan Haskins.

Composer Marc Blitzstein's nephew Stephen Davis has donated his 50% share of Blitzstein's musical and literary estate to the Kurt Weill Foundation.

Los actores Ester Formosa y Miquel Gòrriz dan un nuevo giro a la obra de Brecht y Weill, 'La Ópera de los 3 Peniques' en un cabaret donde se recuerdan los años 30 en Barcelona y Berlín.

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

The New York Times reports that Ana Gasteyer has joined the cast of Roundabout's 'Threepenny Opera' for which previews will beging on March 24th.

The New York Times reports that Dale will return to Broadway after an absence of nine years to star as Mr. Peachum in the Roundabout production.

Alan Cumming, Edie Falco and Nelli McKay to appear in a new Roundabout production of The Threepenny Opera.