Vanessa Williams, Tony Danza and More to Perform at 54 Below in February
by Chloe Rabinowitz - Jan 30, 2026
Next month, 54 Below, Broadway’s Supper Club & Private Event Destination, will present some of the brightest stars from Broadway, cabaret, jazz, and beyond, including Vanessa Williams, Tony Danza and more.
The History of the Mark Hellinger Theatre and the Attempts to Bring It Back
by Jennifer Ashley Tepper - Aug 17, 2025
The Times Square Church, located on 51st Street between Broadway and 8th Avenue, is an extremely storied New York City spot. While it may not be apparent to those who unknowingly pass by the church, the venue across from the Gershwin’s stage door was once a glorious Broadway theater… and could potentially be one again someday.
Review Roundup: LIGHTS OUT: NAT 'KING' COLE at New York Theatre Workshop
by Nicole Rosky - May 21, 2025
New York Theatre Workshop is now presenting Lights Out: Nat “King” Cole, written by Tony and Academy Award nominee Colman Domingo and NYTW Artistic Director and Usual Suspect Patricia McGregor, and directed by McGregor. Lights Out: Nat “King” Cole runs through June 29, 2025. Let's see what the critics are saying about the new play...
Review Roundup: SUNSET BOULEVARD Opens On Broadway
by Blair Ingenthron - Oct 20, 2024
Director Jamie Lloyd’s new Broadway production of Andrew Lloyd Webber’s Sunset Blvd. starring Olivier Award winner and Grammy Award nominee Nicole Scherzinger as ‘Norma Desmond' opened tonight Sunday, October 20 at the St. James Theatre on Broadway. Check out what the critics had to say here!
Interview: CHOREOGRAPHERS ELLENORE SCOTT & AYODELE CASEL GIVE FUNNY GIRL'S SAGA FLAIR, FUN & FINESSE
by Valerie-Jean Miller - May 28, 2024
VJM: Thank you both for giving of your time to answer my questions. I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of. How did that come about for both of you?
Ellenore Scott: Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he keeps his people close and I’m grateful he thought of me for this historic revival.
Ayodele Casel: I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in. Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.
Review: Musical Theatre West Brings MILLION DOLLAR QUARTET Back to Life in Long Beach
by Michael Quintos - Apr 19, 2024
More like one elongated impromptu jam session than a typical musical, Musical Theatre West's new production of MILLION DOLLAR QUARTET doesn't involve a complex storyline, but instead focuses on imagining what it must have been like to be in the room where music history happened. The resulting concert-like jukebox musical is a rollicking good time.
In a Deconstructed and Immersive Production CABARET KIT KAT CLUB Opens in Brazil
by Claudio Erlichman - Apr 11, 2024
In a Berlin nightclub, as the 1920's draw to a close, a garish MC welcomes the audience and assures them they will forget all their troubles at the Cabaret. With the Emcee's bawdy songs as wry commentary, Cabaret explores the dark, heady, and tumultuous life of Berlin's natives and expatriates as Germany slowly yields to the emerging Third Reich.