A Tragedy of the Future 1913

Local dance artist and graduate student in the Department of Theater and Dance Meredith Cabaniss presents Rite of Spring, a program featuring a contemporary adaptation of Le Sacre du Printemps and performances by dance artists from throughout Southern California. Rite of Spring runs April 15-16, 2022 at the Hatlen Theater on University of California, Santa Barbara campus.

Lincoln Center for the Performing Arts today announced artistic works celebrating iconic civil rights leaders, accessibility in the arts, and the rich history of dance in New York City coming to Restart Stages this September—the outdoor performing arts center created to champion the revival and recovery of New York City arts.

BWW Reviewer Peter Nason chooses the best musical theatre characters from 1940-2020; see if your favorites are on our list of the best characters from Broadway musicals.

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

Alumnae Theatre Company's 30th annual New Ideas Festival, a three-week, juried celebration of original writing and works-in-progress, takes place from March 7 to 25 in Alumnae's Studio Theatre (70 Berkeley St at Adelaide).

OPERA America, the national service organization for opera and the nation's leading champion for American opera, is pleased to announce that it has awarded grants to 11 opera companies through the Repertoire Development Grants program, supported by The Opera Fund. These grants provide vital financial support to opera companies developing new American opera and music-theater works.

OPERA America, the national service organization for opera and the nation's leading champion for American opera, is pleased to announce that it has awarded grants to 11 opera companies through the Repertoire Development Grants program, supported by The Opera Fund. These grants provide vital financial support to opera companies developing new American opera and music-theater works.

StoryCorps, the non-profit that collects, shares, and preserves the stories of people of all backgrounds, will celebrate the lives it has documented, and people and partners that have helped the organization to do so, in its annual gala, tonight, October 25, at Capitale in New York City.

StoryCorps, the non-profit that collects, shares, and preserves the stories of people of all backgrounds, will celebrate the lives it has documented, and people and partners that have helped the organization to do so, in its annual gala, Wednesday, October 25, at Capitale in New York City.

It is nearly impossible not to be emotionally affected by the events depicted in PARADE, the stirring, Tony Award-winning 1998 musical inspired by shocking actual events surrounding the trial of a man accused of raping and murdering a 13-year-old girl. It's certainly a heavy, morose subject to wrap an entire musical around, which is probably why PARADE is so rarely produced, despite its high-caliber book by Alfred Uhry and gorgeous music by Jason Robert Brown. But when the material is executed with emotional heft and interesting staging---as it mostly is in Chance Theater's latest production---the results can be powerful, gut-wrenching, and, most importantly, thought-provoking.

New York City Opera's 2017/2018 season will offer four new mainstage productions at Jazz at Lincoln Center's Rose Theater, including a Spanish-language opera as part of its Ópera en Español series. City Opera will also offer two New York City Opera Concerts in Zankel Hall at Carnegie Hall and a chamber opera series at locations to be announced. New York City Opera Orchestra will be featured in every opera.

Co-directed with precision by Christina A. Coakley and Susan Marie Rhea, Keegan's PARADE keeps the staging simple and imaginative, cutting away clutter and using only the barest of props and scenic elements to help the story unfold. No one who has seen previous Keegan musicals, such as HAIR, CABARET, or AMERICAN IDIOT could be surprised by the quality of this rendering of PARADE; I fully expect this production to be recognized multiple times when the next round of Helen Hayes Awards comes around.

New York Theatre Ballet (NYTB) returns to New York Live Arts with its new Uptown/Downtown/Dance series from March 1-4, 2017 at 7:30pm with an additional 2pm matinee on Saturday.

New York Theatre Ballet (NYTB) returns to New York Live Arts with its new Uptown/Downtown/Dance series from March 1-4, 2017 at 7:30pm with an additional 2pm matinee on Saturday.

New York Theatre Ballet (NYTB) returns to New York Live Arts with its new Uptown/Downtown/Dance series from March 1-4, 2017 at 7:30pm with an additional 2pm matinee on Saturday. This year's program features a revival of Nijinsky's L'Apres-Midi d'un Faune staged by the 98-year-old Ann Hutchinson Guest, a new and as-of-yet untitled pas de trois by Pam Tanowitz, Frederick Ashton's La Chatte métamorphoses en femme, and Antonia Franceschi's She Holds Out Her Hand which premiered at Danspace in Fall 2016. All pieces will be performed to live music. A post-show celebration with wine, hors d'oeuvres, and music will be held after the opening night performance for which tickets are $75. Tickets for the performances are $30 ($15 for Students & Seniors) and can be purchased at http://newyorklivearts.org/event/spring-concerts/.

The brilliant theatricality of Kneehigh, the innovative United Kingdom-based theater company, will be on display at the Wallis Annenberg Center for the Performing Arts once again when 946: The Amazing Story of Adolphus Tips has its Los Angeles premiere.  Based on the beloved book by War Horse author Michael Morpurgo, 946 explores everything we thought we knew about the D-Day landings in this tender musical tale of love and war. Adapted by Morpurgo and Emma Rice, who also directs, 946 is a Kneehigh production presented in association with Birmingham Repertory and Berkeley Repertory Theatres. Performances begin February 9 with the opening on February 10.

TITANIC should not be missed but must close January 29, 2017.

Berkeley Rep today announced the American premiere of 946: The Amazing Story of Adolphus Tips adapted by Michael Morpurgo (War Horse) and Emma Rice, with Rice also directing.

Berkeley Rep today announced the American premiere of 946: The Amazing Story of Adolphus Tips adapted by Michael Morpurgo (War Horse) and Emma Rice, with Rice also directing.

Berkeley Rep today announced the American premiere of 946: The Amazing Story of Adolphus Tips adapted by Michael Morpurgo (War Horse) and Emma Rice, with Rice also directing.

The Houston Symphony's April calendar provides several unique treats that are sure to excite Houston audiences. Conductor Laureate Hans Graf will return to the podium to lead the orchestra in Tchaikovsky's Romeo and Juliet today, April 10 and April 12 and 13, followed directly by Music Director Designate Andres Orozco-Estrada's return to conduct Bronfman Play Beethoven 4 on April 17, 18 and 19.

The Houston Symphony's April calendar provides several unique treats that are sure to excite Houston audiences. Conductor Laureate Hans Graf will return to the podium to lead the orchestra in Tchaikovsky's Romeo and Juliet on April 10, 12 and 13, followed directly by Music Director Designate Andres Orozco-Estrada's return to conduct Bronfman Play Beethoven 4 on April 17, 18 and 19.

The Met Museum Presents series has announced its October 2013 events, including: Alarm Will Sound's season-long residency with 'The Permanent Collection', the Calder Quartet in three concerts of Bartok, and TEDxMET: Icons. Details below!

The Met Museum Presents series has announced its October 2013 events, including: Alarm Will Sound's season-long residency with 'The Permanent Collection', the Calder Quartet in three concerts of Bartok, and TEDxMET: Icons. Details below!

The theatre programme for the Manchester International Festival 2013 has been announced. MIF13 commissions include: The Machine, The Old Woman, Macbeth, The Masque of Anarchy and The Rite of Spring.