Oliver! Revival 1984 - Articles Page 38

Sir Cameron Mackintosh's spectacular ?4.5 million revival of Oliver! is already the fastest selling on record, with ?15 million in advance ticket sales before it even opened on January 14th at the Theatre Royal Drury Lane. Oliver took in ?3 million more than Dirty Dancing did in 2006, a stunning feat in these tough economic times. Robert Goold (Best Director, 2008 Olivier Awards) directs this production of Oliver!, which is based on Sam Mendes' triumphant 1994 staging, along with Tony award winning co-director and choreographer Matthew Bourne. Production design is by Anthony Ward; lighting design by Paule Constable and sound is by Paul Groothuis, with orchestrations by William D Brohn and musical supervision by Martin Koch. Cameron Mackintosh presents Rowan Atkinson as 'Fagin' in Lionel Bart's musical masterpiece 'OLIVER!' at the Theatre Royal Drury Lane.

Philadelphia Music Theater Works welcomes 2008 Richard Rodgers Award winning composer and lyricist Ryan Scott Oliver in an original evening of songs from one of America's most promising new voices in the musical theater. A stellar and acclaimed ensemble of Philadelphia actors including Barrymore Award winner Michael O'Brien, Mat Burrow, Jeremiah Downes, Sarah Gliko, Colleen Hazlett-O'Brien and Alex Keiper unravel the complicated world of contemporary urban life in your 20's with all of the obsessions, compulsions, rejection, revelations and tantric sex in The Ryan Scott Oliver Project.

Philadelphia Music Theater Works welcomes 2008 Richard Rodgers Award winning composer and lyricist Ryan Scott Oliver in an original evening of songs from one of America's most promising new voices in the musical theater. A stellar and acclaimed ensemble of Philadelphia actors including Barrymore Award winner Michael O'Brien, Mat Burrow, Jeremiah Downes, Sarah Gliko, Colleen Hazlett-O'Brien and Alex Keiper unravel the complicated world of contemporary urban life in your 20's with all of the obsessions, compulsions, rejection, revelations and tantric sex in The Ryan Scott Oliver Project.

Cameron Mackintosh's new production of OLIVER!' starts previews tonight Saturday 13 December at 7.30pm at the Theatre Royal Drury Lane. The earlier scheduled preview performances on Friday 12 December at 7.30pm and Saturday 13 December matinee at 2.30pm were canceled.

Oliver Platt was brought on board to play seasoned journalist Bob Zelnick. A former national bureau chief for NPR, Zelnick was placed in charge of researching Nixon's domestic and foreign policy for the Frost team. A virtual encyclopedia of Nixon knowledge, Zelnick played Nixon in the team's rehearsals for the interviews.

The John W. Engeman Theater at Northport is proud to announce its production of OLIVER! which arrives just in time for the holidays. This precocious and charming classic has enchanted and entertained audiences for years. Lionel Bart's show is based on Charles Dickens' touching tale of an orphan boy who runs away from the orphanage and learns to live life on the hard streets of a not so merry ole' England. With such unforgettable songs as Food, Glorious Food, You've Got To Pick-A-Pocket Or Two, and I'd Do Anything, this show will have you wanting more, sir!

Cameron Mackintosh announces final casting for his new production of Lionel Bart's musical masterpiece 'OLIVER!' starring Rowan Atkinson as 'Fagin', Jodie Prenger as 'Nancy' and Burn Gorman as 'Bill Sikes' at the Theatre Royal Drury Lane. Performances commence on 12 December and the press night is on 14 January.

Robert R. Oliver, who starred as Mortimer in the off-Broadway revival of The Fantasticks, died suddenly Monday, February 4 of a heart-attack, report press sources. He was 68 years old.

WHO: Theatre on the Hill WHAT: Oliver! WHEN: Through August 4. Production dates and times vary. WHERE: The WMC Alumni Hall at McDaniel College in Westminster. HOW MUCH: $14 - $20. INFORMATION: Call 410-857-2448 or go to www.theatreonthehill.com

Neil Bartlett's reimagined 'Oliver Twist' abducts Charles Dickens' classic tale, sends it through the meat-grinder, and spits it back onto its feet in a fantastic and grimy work of art.

The most difficult aspect of dramatizing a well-known and well-loved work of literature is finding the correct balance between maintaining the integrity of the original work and adding elements to justify the adaptation. The recent Broadway revival of A Chorus Line was criticized for being a carbon copy of the original production, while the short-lived, musicalized version of The Wedding Singer film was criticized for changing key plot points. How, then, can an adaptation to the stage do justice to the original work as well as bring the material to life in a new and innovative way? Neil Bartlett seems to know the secret. In his adaptation of 'Oliver Twist,' the classic novel by Charles Dickens, Bartlett captures the dark, dank world of the young orphan in a way that Lionel Bart's musical Oliver! fails to do. There are no upbeat songs about 'Oom-Pah-Pah!' or considering yourself part of the family; Bartlett's Oliver Twist is no musical comedy.