Balanchine's Firebird was one of the choreographer's first creations for the young New York City Ballet, using elaborate sets and costumes. The story, the choreography, the sets, and the music all integrated many brilliantly colored elements from Russian folklore. Because Balanchine chose to use the orchestral suite rather than the complete three-act score, he simplified the story and emphasized the mythical elements of the Firebird's character.|
For revivals in 1970, 1972, and 1980, Balanchine changed his choreography for the Firebird — and sometimes the costume as well — to suit the ballerina cast in the leading role. At Balanchine's invitation, in 1970, the artist Marc Chagall came to New York City to supervise the construction of new sets and costumes based on his designs for a new production. For the 1970 revival, Robbins contributed new choreography for the monsters' dance. The current production was staged in 1985.
Firebird BWW Reader Reviews