Casting Announced for Winter Mixed Programme at the National Ballet of Canada
Hope Muir, Joan and Jerry Lozinski Artistic Director of The National Ballet of Canada, today announced the casting for the Canadian premiere of Anima Animus by David Dawson, world premiere of Alleged Dances by Rena Butler and George Balanchine’s Symphony in C, onstage March 3 – 23, 2023 at the Four Seasons Centre for the Performing Arts. #AnimaAnimusNBC #AllegedDancesNBC #SymphonyInCNBC
Review: GHOSTS OF BOGOTÁ Opens Inspired Season at Stray Cat Theatre
GHOSTS OF BOGOTÁ is the first production in Stray Cat’s intrepid lineup. Playwright Diana Burbano (also an accomplished actress), has fashioned a dark, irreverent comedy, riffing on the incongruous motif of sexual trauma and unholy exorcism. It thumbs its nose on conventions of space and time — as it should, given the task of probing the collective unconscious and whipping up a contentious dialogue with deceased relatives.
Consider Kushner’s – or Ruhl’s – penchant for magical realism, but through the unique lens of the Latinx experience. Burbano dispenses a delectable sass while flouting the spectral realm of departed kin. She checks the boxes, if you will, and treads where lesser dramatists might opt for a quick detour.
Sideshow Theatre Company Postpones Juneteenth Pride Gala
Sideshow Theatre Company announced that its Juneteenth Pride Gala has been postponed until September. The Gala, originally scheduled for Saturday, June 18, has been postponed due to rising COVID numbers and Sideshow's desire to avoid conflicts with existing Pride and Juneteenth celebrations.
The National Ballet of Canada Tours to New York City Center
Hope Muir, Joan and Jerry Lozinski Artistic Director of The National Ballet of Canada, today announced the company will tour to New York City Center March 30 – April 1, 2023. The company will present the US premiere of Crystal Pite’s Angels’ Atlas with David Dawson’s Anima Animus and Kenneth MacMillan’s Concerto.
Portland Drummer José Medeles to Share Tribute to John Fahey with 'Railroad Cadences & Melancholic Anthems'
Led by drummer José Medeles (Breeders, 1939 Ensemble, Revival Drum Shop), Railroad Cadences & Melancholic Anthems is a drummer’s tribute to guitarist and DIY iconoclast John Fahey. Joined for a series of guitar and drum duets with M. Ward, experimental guitarist Marisa Anderson, and Chris Funk (Decemberists, Stephen Malkmus), it’s a genuinely honorific project, featuring not Fahey compositions, but rather a series of improvised rendezvous inspired and informed by his looseness and rhythmic idiosyncrasies.
HURRICANE DIANE Comes to Rec Room Arts in May
Rec Room Arts will present the Houston premiere of Hurricane Diane, Madeleine George's (Hulu's Only Murders in the Building) Obie Award-winning play that turns the Greek god Dionysus into Diane, a lesbian permaculture gardener whose secret mission is to save the planet from the ravages of climate change. Lily Wolff (Alley Theatre) will direct the production.
IAMEVE Releases New Single 'Oceans Deep'
Tiff Randol, the creative force behind IAMEVE wrote “Ocean Deep '' last year during the pandemic when she was preparing a live looping performance for Noise Engineering's Noiseblast series. After acquiring a number of new modules and gear, she began experimenting with and sampling sounds in Ableton.
Sideshow Theatre Company Welcomes Ten New Company Members
Sideshow Theatre Company has announced the addition of ten new company members, including Ensemble Members estrellita beatriz, Adelina Feldman-Schultz, Hanna Kime, Tina Muñoz Pandya and Shariba Rivers and Artistic Associates Sam Boeck, Olivia Canaday, Sydney Charles, Micah Figueroa and Mallory Raven-Ellen Backstrom.
Sideshow Theatre Company Welcomes New Ensemble Members and Artistic Associates
Sideshow Theatre Company is pleased to welcome eleven new ensemble members and artistic associates. Ensemble members include Wardell Julius Clark, Greg Geffrard, Arti Ishak, Krystal Ortiz, Gabrielle Randle-Bent and Netta Walker. Artistic Associates include Patrick Agada, J. Nicole Brooks, Brynne Frauenhoffer, Jyreika Guest and Sarah Price.
Review Roundup: Richard Nelson's WHAT DO WE NEED TO TALK ABOUT? Conversations on Zoom
Just last night, The Public Theater presented the world premiere of WHAT DO WE NEED TO TALK ABOUT? Conversations on Zoom, a new play in the Rhinebeck Panorama, written and directed by Tony Award winner Richard Nelson. Commissioned by The Public Theater and written by Nelson from his home in Rhinebeck, New York, during the COVID-19 pandemic, this unique theatrical experience was performed as a benefit for The Public Theater.
Trinity Produces New York Premiere Of Wachner's REV. 23 at Prototype Festival
This winter, Trinity Church Wall Street co-produces the New York premiere of REV. 23, the latest opera by its own Director of Music Julian Wachner, along with the cutting-edge Prototype Festival and Gerald W. Lynch Theater at John Jay College of Criminal Justice. Performances take place at the Gerald W. Lynch Theater in Manhattan, on January 17 at 8pm and January 18 at 3pm and 8pm. Composed to an audacious, satirical libretto by Cerise Jacobs, founder of the Boston-based activist opera company White Snake Projects, which commissioned the work, REV. 23 explores an a?oeunpublisheda?? new chapter of the Book of Revelation. Los Angeles-based director James Darrah creates a striking new production for this New York premiere, leading the audience on a fantastical journey through the myths of the collective unconscious. Noted conductor Daniela Candillari leads Trinity's in-house contemporary orchestra, NOVUS NY.
BWW Review: COME FROM AWAY Soars at Boston's Opera House
COME FROM AWAY, the Tony Award-winning Broadway musical warming Boston audiences now through November 17, is just the uplifting human tonic we need during these difficult and divided times. Charming, witty, heart-breaking but ultimately inspiring, COME FROM AWAY is the remarkable story of the 9000 Newfoundlanders who welcomed 7000 strangers with open hearts and open arms when 38 planes from around the globe were suddenly diverted to their airport in Gander on September 11, 2001. The opening number is a rousing Celtic-influenced a?oeWelcome to the Rock,a?? and it couldn't be a more apt introduction to the people, the spirit, and the comfort that greeted terrified passengers from 95 different countries stranded a?oein the middle of nowherea?? on their way from one corner of the world to another.