Shawn Sides

Alley Theatre has revealed the cast of Thornton Wilder’s The Emporium. Learn more about the show and see how to purchase tickets.

New York's PROTOTYPE OperaTheatreNow Festival returns for its seventh season from January 5 to the 13th and the one thing that you can't ask about it is “What's new?” That's not because there's nothing to answer. On the contrary--there's too much, in style, in content, in the sizes of its venues: This year's Festival is larger than ever, with a dozen works, 24 composerlibrettists and over 150 collaborators.

MEN ON BOATS is hands down, must-see theatre! This production accomplishes what all plays aspire to, but few achieve - all-around excellence. The crew's journey, described by Sides as 'an apt metaphor for the peril faced by many in our society on a daily basis, ' is fraught with important meaning while still maintaining levity and fun. This 'rollicking' sometimes vulnerable show reminds its audience to find adventure in their own lives. After all, we only get one.

PROTOTYPE: Opera/Theatre/Now is pleased to announce programming for the seventh annual festival of fresh opera-theatre & music-theatre running January 5-13, 2019, featuring eight presentations that "shift the whole paradigm of what opera is and can be" (New York Observer).

Yale Repertory Theatre presents the world premiere of FIELD GUIDE created by Rude Mechs, inspired by the novel The Brothers Karamazov by Fyodor Dostoevsky, January 26 February 17, at Yale Repertory Theatre (1120 Chapel Street). Opening Night is Thursday, February 1.

THR3E ZISTERS by Baltimore-based playwright Lola Pierson was conceived and directed by Yury Urnov of D.C.'s Woolly Mammoth and was first mounted by Salvage Vanguard Theatre in 2015. That smash hit is currently receiving a remount at The Off Center. The original production won 4 Austin Critics Table Awards including Best Production of a Comedy. The show is part modern adaption of Chekhov's Three Sisters and part critique of Chekhov's work along with fresh literal translations of the original Russian text. It is also a bold criticism of the intrinsic conflicts of producing classical theatre in contemporary times. For good measure, THR3E ZISTERS spends a little time analyzing the transitioning roles of gender and performance in contemporary culture.

The Rudes. They're like the cast of Star Wars or Star Trek, iconic and revered in that way that Trekkers love Leonard Nimoy or George Takei, but for Austin and its avid theatre going Rude fans, well, that, and their collaborative works with others from Helsinki to Cedar Rapids. And their current production, REQUIEM FOR TESLA, is, in its third incarnation, like a Star Trek reboot. While other theatres around town dust off the usual December holiday fare, The Rude Mechanicals, never to be usual, have resurrected REQUIEM FOR TESLA in celebration of their 20th anniversary season. It's obvious they've been around and drummed up an enthusiastic fan base. (Full disclosure: I'm one of them). On opening night for this particular production, one ebullient fan behind us waxed poetic to total strangers about each and every Rude production he'd seen (many of which I've seen myself) including the 2001 and 2003 iterations of REQUIEM FOR TESLA.

FIELD GUIDE, a work-in-progress by Rude Mechs, is currently in a second draft performance at the Off Center. Rude Mechs creates new works collaboratively, and with FIELD GUIDE they are actively engaging their audience to get feed back on what works and what doesn't in order to help shape the piece. FIELD GUIDE, commissioned by the Yale Repertory Theatre, is a mash-up of Dostoyevsky's The Brothers Karamazov, stand-up comedy, dance and some frankly uncomfortable direct audience addressing confessions. How much of the direct confessions are fact or fiction we'll never really know. What we do know is this is an excitingly different evening of pure theatricality… an evening that you, as an audience member, are being asked to help define. Along the way during your 90 minute journey the Mechs cover topics from the longest Russian novel written such as intellectualism, spiritualism, sensuality and hedonism. While it is ostensibly an adaptation of The Brothers Karamazov, it really just uses the characters in the briefest Cliff Notes sense. This approach allows the performers to riff on the underlying themes present. There is even an unaccredited moment by Tom Lehrer when Robert S. Fisher performs 'They're Rioting in Africa'. What you are treated to is highly experimental in nature and at moments what ensues is truly magical.

With only 30 audience members per performance, your experience with the Rude Mech's NOW NOW OH NOW begins when you get your tickets. Each audience member must choose from one of six symbols. Your choice will group you into a tribe of five members. You are about to embark on an adventure with people you've never met before. Oh, the places you'll go…

Salvage Vanguard Theater is proud to announce the first MADE IN SVT production of our 20th Anniversary Season FROM THE PIG PILE: THE REQUISITE GESTURE(S) OF NARROW APPROACH by Sibyl Kempson in collaboration with the Austin Pig Pile

Salvage Vanguard Theater is proud to announce the first MADE IN SVT production of our 20th Anniversary Season FROM THE PIG PILE: THE REQUISITE GESTURE(S) OF NARROW APPROACH by Sibyl Kempson in collaboration with the Austin Pig Pile

Since its inception in 1994, Salvage Vanguard Theater (SVT) has produced cutting-edge theater in Austin, premiering plays by distinguished theater artists such as Lisa D'Amour, Ruth Margraff, Dan Dietz, Caridad Svich, Jason Grote, Abi Basch, C. Denby Swanson and Andrea Thome.

Lincoln Center Theater presents a one night only LCT3 Special Event of Graham Reynolds: Making Music, Hosted by Rebecca Havemeyer, Austin's own Dizzy Dame, on Monday, February 10 at 9:30 pm at the Claire Tow Theater (150 West 65 Street).

Rude Mechs' madcap Brechtian vaudeville counters being charitable with looking out for one's self.

LCT3/Lincoln Center Theater's presentation of STOP HITTING YOURSELF, created by Rude Mechs, the Austin, TX based theater collective, opened last night, January 27. This world premiere features Thomas Graves, Heather Hanna, Joey Hood, Hannah Kenah, Lana Lesley, E. Jason Liebrecht, and Paul Soileau. Commissioned by LCT3, STOP HITTING YOURSELF is written by Kirk Lynn and directed by Shawn Sides and will run through Sunday, February 23 at the Claire Tow Theater (150 West 65th Street). All tickets are $20. BroadwayWorld brings you a look back the opening night festivities below!

Opening night is tonight, January 27 for the LCT3/Lincoln Center Theater presentation of STOP HITTING YOURSELF, created by Rude Mechs, the Austin, TX based theater collective. This world premiere features Thomas Graves, Heather Hanna, Joey Hood, Hannah Kenah, Lana Lesley, E. Jason Liebrecht, and Paul Soileau. Commissioned by LCT3, STOP HITTING YOURSELF is written by Kirk Lynn and directed by Shawn Sides and will run through Sunday, February 23 at the Claire Tow Theater (150 West 65th Street). All tickets are $20. BroadwayWorld brings you highlights below!

Opening night is Monday, January 27 for the LCT3/Lincoln Center Theater presentation of STOP HITTING YOURSELF, created by Rude Mechs, the Austin, TX based theater collective. This world premiere features Thomas Graves, Heather Hanna, Joey Hood, Hannah Kenah, Lana Lesley, E. Jason Liebrecht, and Paul Soileau. Commissioned by LCT3, STOP HITTING YOURSELF is written by Kirk Lynn and directed by Shawn Sides and will run through Sunday, February 23 at the Claire Tow Theater (150 West 65th Street). All tickets are $20. Check out a first look at the cast in action below!

LCT3/Lincoln Center Theater will present STOP HITTING YOURSELF, created by Rude Mechs, directed by Shawn Sides and written Kirk Lynn. Featuring: Thomas Graves, Heather Hanna, Joey Hood, Hannah Kenah, Lana Lesley, E. Jason Liebrecht and Pail Soileau.

LCT3/Lincoln Center Theater will present STOP HITTING YOURSELF, created by Rude Mechs, directed by Shawn Sides and written Kirk Lynn. Featuring: Thomas Graves, Heather Hanna, Joey Hood, Hannah Kenah, Lana Lesley, E. Jason Liebrecht and Pail Soileau.