Photos: URINETOWN Opens This Week At The Mary Moody Northen Theatre
by A.A. Cristi - Feb 9, 2026
The Mary Moody Northen Theatre (MMNT) at St. Edward’s University continues its 53rd season with Urinetown: The Musical, the irreverent, Tony Award–winning satire with music by Mark Hollmann, lyrics by Hollmann and Greg Kotis, and book by Kotis. Check out photos of the production.
Review: PERIL IN THE ALPS at Austin Playhouse
by Sabrina Wallace - Nov 24, 2025
Peril in the Alps is a sharp, stylish blast of comic-mystery mayhem. Dietz toys with Christie’s legacy while the cast shapeshifts through suspects with fearless precision. Smart, funny, and colder than a stolen alibi. #ATXTheatre #BWW
Cast Set for EMMA Regional Premiere at Austin Playhouse
by Chloe Rabinowitz - Mar 26, 2024
Austin Playhouse has revealed the cast and creatives for the regional premiere of Emma, based on the novel by Jane Austen, written by Kate Hamill. See who is starring and learn how to purchase tickets.
Photos: First Look at THESE SHINING LIVES at Mary Moody Northen Theatre
by Blair Ingenthron - Nov 12, 2022
The Mary Moody Northen Theatre has released production photos for These Shining Lives by Melanie Marnich, running through November 20, 2022. These Shining Lives chronicles the strength and determination of a group of women working for the Radium Dial Company. Check out the photos below!
BWW Review: The Precise Compassion of THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME at St. Edward's University
by Madelyn Geyer - Feb 21, 2020
When overwhelmed, we all have different coping mechanisms. Maybe you fall silent, take a nap, or settle into a comforting movie. Christopher, the spectacularly intelligent main character in THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, precipitously counts prime numbers to self-soothe. Or he collapses to the floor and moans until the stressful event subsides. THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME follows Christopher on his mission to find the person who stabbed his neighbor's dog with a pitchfork after Christopher's found next to the newly deceased canine and accused of the murder. Based on the novel by Mark Haddon and directed by Robert Tolaro, it's the only play I've experienced that opens with a (don't worry, it's fake) dead dog in the middle of the stage. But Christopher's not only dealing with clearing his name. He's also reeling from his mother's recent death as well as preparing to take A-level maths (the play is set in England) in school.