Paul Soileau

CHRISTEENE, announces her return to the stage with a pair of shows unlike any other. In March, CHRISTEENE will make her US debut of The Lion The Witch And The Cobra — a collective reverberation to these tumultuous times channeled through a live performance of Sinéad O'Connor's debut album — in New York City and Los Angeles.

The event will feature performances by Broadway's Amber Iman, Tony Award winner Gavin Creel, Sasha Allen, Jo Lampert, Obie Award winner Whitney White, Hoofer Award winner Ayodele Casel, and more.

Hailed as "The best LBGTQ Theater Festival in New York" by The Village Voice, HOT! The NYC Celebration of Queer Culture returns to Dixon Place for its 27th season. The oldest festival of its kind in the world, HOT showcases over 100 artists' most daring new work in theatre, dance, music, puppetry, literature, visual arts, and homoeroticism for the whole family! Tickets, ranging from free to $21, can be purchased from the Festival page at http://dixonplace.org/category/hot-festival/ or by calling 866-811-4111. All performances are at Dixon Place, 161A Chrystie Street, in Manhattan's lower east side.

Yale Repertory Theatre presents the world premiere of FIELD GUIDE created by Rude Mechs, inspired by the novel The Brothers Karamazov by Fyodor Dostoevsky, January 26 February 17, at Yale Repertory Theatre (1120 Chapel Street). Opening Night is Thursday, February 1.

Abrons Arts Center and UK's Live Art Development Agency (LADA) in collaboration with Chelsea Theatre present Just Like a Woman, (October 23-25), a three day program of performances, installations, cabarets, screenings, panels and book launches that examine the performance of identity - the ways femininity can be 'performed' and how representations of gender can be queered through performance.

Abrons Arts Center and UK's Live Art Development Agency (LADA) in collaboration with Chelsea Theatre present Just Like a Woman, (October 23-25), a three day program of performances, installations, cabarets, screenings, panels and book launches that examine the performance of identity - the ways femininity can be 'performed' and how representations of gender can be queered through performance.

Lincoln Center Theater presents a one night only LCT3 Special Event of Graham Reynolds: Making Music, Hosted by Rebecca Havemeyer, Austin's own Dizzy Dame, on Monday, February 10 at 9:30 pm at the Claire Tow Theater (150 West 65 Street).

Rude Mechs' madcap Brechtian vaudeville counters being charitable with looking out for one's self.

LCT3/Lincoln Center Theater's presentation of STOP HITTING YOURSELF, created by Rude Mechs, the Austin, TX based theater collective, opened last night, January 27. This world premiere features Thomas Graves, Heather Hanna, Joey Hood, Hannah Kenah, Lana Lesley, E. Jason Liebrecht, and Paul Soileau. Commissioned by LCT3, STOP HITTING YOURSELF is written by Kirk Lynn and directed by Shawn Sides and will run through Sunday, February 23 at the Claire Tow Theater (150 West 65th Street). All tickets are $20. BroadwayWorld brings you a look back the opening night festivities below!

Opening night is tonight, January 27 for the LCT3/Lincoln Center Theater presentation of STOP HITTING YOURSELF, created by Rude Mechs, the Austin, TX based theater collective. This world premiere features Thomas Graves, Heather Hanna, Joey Hood, Hannah Kenah, Lana Lesley, E. Jason Liebrecht, and Paul Soileau. Commissioned by LCT3, STOP HITTING YOURSELF is written by Kirk Lynn and directed by Shawn Sides and will run through Sunday, February 23 at the Claire Tow Theater (150 West 65th Street). All tickets are $20. BroadwayWorld brings you highlights below!

Opening night is Monday, January 27 for the LCT3/Lincoln Center Theater presentation of STOP HITTING YOURSELF, created by Rude Mechs, the Austin, TX based theater collective. This world premiere features Thomas Graves, Heather Hanna, Joey Hood, Hannah Kenah, Lana Lesley, E. Jason Liebrecht, and Paul Soileau. Commissioned by LCT3, STOP HITTING YOURSELF is written by Kirk Lynn and directed by Shawn Sides and will run through Sunday, February 23 at the Claire Tow Theater (150 West 65th Street). All tickets are $20. Check out a first look at the cast in action below!

Rude Mechs will present the first work-in-progress showing of 'STOP HITTING YOURSELF.'

Rude Mechs will present the first work-in-progress showing of 'STOP HITTING YOURSELF.'

I've Never Been So Happy hosted its opening night at Center Theatre Group's Kirk Douglas Theatre on October 8, 2011 in Culver City, California.

Rude Mechs' 'I've Never Been So Happy.' Opens tonight. The Western musical transmedia shindig which is presented at Center Theatre Group's Kirk Douglas Theatre as part of DouglasPlus programming runs for 18 performances only

The world premiere production of Rude Mechs' 'I've Never Been So Happy' begins performances tonight at Center Theatre Group's Kirk Douglas Theatre. The Western musical transmedia shindig runs for 18 performances only through October 23, 2011, as part of DouglasPlus programming. Opening is set for Saturday, October 8 at 8 p.

The world premiere production of Rude Mechs' 'I've Never Been So Happy' begins performances Thursday, October 6 at Center Theatre Group's Kirk Douglas Theatre. The Western musical transmedia shindig runs for 18 performances only through October 23, 2011, as part of DouglasPlus programming. Opening is set for Saturday, October 8 at 8 p.

The performers have been set for the world premiere production of Rude Mechs' 'I've Never Been So Happy.' The Western musical transmedia shindig which is presented at Center Theatre Group's Kirk Douglas Theatre as part of DouglasPlus programming runs for 18 performances only, October 6 through 23, 2011. Opening is set for October 8.

The discourse surrounding new play development continues within the American Voices New Play Institute at Arena Stage at the Mead Center for American Theater, as the company presents the #NewPlay Festival.