Paul Lynde

MAKING THE YULETIDE GAY: A VERY SPECIAL PAUL LYNDE CHRISTMAS unites Michael Airington as Paul Lynde, Spencer Day as Tab Hunter, David Hernandez as Sal Mineo, David Maiocco as Liberace, Jack Plotnick as Evie Harris, and Seth Rudetsky, Jackie Beat and Lady Bunny as themselves.

James Beaman has come out of retirement but he has also come out as a cabaret artist working under his own name and persona in an extremely personal nightclub act.

Comedy cabaret firebrand David Mills once again extends his Pangea residency through November with “glamour + despair” -  his critically acclaimed, screamingly jaded look at the apocalypse.

Comedy cabaret firebrand David Mills has extended his Pangea residency through October with 'glamour + despair' - his critically acclaimed, screamingly jaded look at the apocalypse. Held over by popular demand following sell-out shows in April, June and July, Mills is a bold showbiz iconoclast who combines sharply satirical stand-up with his singular take on classic nightclub cabaret to push both genres into innovative, uncharted territory.

It’s going to be a great deal of fun to see Brenda Braxton settle into this new artistic home and format.

Prolific cabaret artist and Broadway Records A&R Director sits down with Broadway World Cabaret editor for an intimate chat about BRING ME GIANTS.

The production that opened June 10 at the outdoor Lowell Davies Festival Theater was consistently enjoyable, but never enchanting. Set in the Regency area and using a mixture of music (here a court violin, there a ukelele) to foreground the play rather than drive it forward, Marshall’s production suffers from inconsistent casting. It also drags.

Cabaret and comedy firebrand David Mills' 'glamour + despair' extends his run at NYC's Pangea with four encore performances.

Pangea, a vital incubator for new work crossing boundaries between theatre, music and elsewhere, welcomes back the American singer-comedian David Mills who emerges from a fruitful London exile (where he became a prominent comic voice) with a new Pangea residency starting with shows on Sat April 22 and 29, both at 9:30pm.  

Comedy cabaret firebrand and American ex-pat in London David Mills returns to NYC.

Comedy cabaret firebrand and American ex-pat in London David Mills returns to NYC's Pangea for the 5th time in the club's prime venue, the jewel-box Cabaret Room with a screamingly jaded look at the apocalypse in the world premiere of 'glamour + despair.'

Porchlight Music Theatre will present New Faces Sing Broadway 1984, hosted by Honey West, directed by Tommy Novak with music direction and arrangements by Micky York.

Porchlight Music Theatre announces the cast of New Faces for its latest offering in its 2022 - 2023 season, New Faces Sing Broadway 1951, hosted by multi-award winner and Broadway veteran David Girolmo, directed by David Fiorello with music direction and arrangements by Dr. Michael McBride.

Porchlight Music Theatre has announced the latest offering in its 2022 - 2023 season, New Faces Sing Broadway 1951, hosted by multi-award winner and Broadway veteran David Girolmo, directed by David Fiorello with music direction and arrangements by Dr. Michael McBride.

Music Theatre of Connecticut MainStage, Fairfield County's professional award-winning theatre company continues their 36th MainStage Season with a cabaret series entitled, Holiday on Broadway.

What did our critic think of BAD HOMBRES at Theatre Rhino?

What did our critic think oHockadoo! MEMPHIS, The Musical, running at Candlelight through October 30, is a compelling show in many respects. Memphis is the story of Huey Calhoun (loosely based on real-life 1950s disc jockey Dewey Phillips) and his mission to bring blues and soul music to a white southern audience in a VERY segregated Memphis. Huey optimistically believes that music can transcend race, and with him on his journey is aspiring singer Felicia Farrell. The two fall in love, but must contend with social barriers, a prejudiced mother, and an overprotective brother. f MEMPHIS at Candlelight Music Theatre?

Broadway World Cabaret is looking at the work of two artists that are, for many, THE LOGICAL FAMILY

Thanks to the rousing performances of director Micah-Shane Brewer’s talented company who have brought the show to vivid life for Nashville audiences, Rent provides a noteworthy opening to the company’s 38th season. Performed with commitment and sharp focus by a cast of young performers, this revival of Rent proves the show’s timelessness, the score’s resonance and the story’s relevance well into the 21st century.

“The medieval world can be a brutal and bloody place and in it there are a thousand horrible ways to die,” are the words renowned British historian and author Dan Jones (“Secrets of Great British Castles,” “Britain’s Bloody Crown”) shares during the introduction to Max Creeps’ “Hung Drawn And Quartered (1424)” video (https://youtu.be/EgC_11Z-Xz8). The song, and accompanying clip, serve as the final preview of the legendary duo’s debut album Nein (May 13, Velocity Records), finding the iconic pair of P.C. Bullshit and Max Blastic re-enacting a duel to the most gruesome of deaths.