Pericles marks the 24th Shakespearean production for the Porters on their quest to completing the canon. Artistic Director Charles Pasternak returns to the directing chair and Leon Russom to the boards. They last worked together on 2014's production of Henry V, a critical and audience hit, which received Ovation, BroadwayWorld, and Valley Theatre Award nominations. Scroll down for a first look at the cast in action below!
Pericles marks the 24th Shakespearean Production for the Porters on their quest to completing the canon.
Pericles marks the 24th Shakespearean Production for the Porters on their quest to completing the canon. Artistic Director Charles Pasternak returns to the directing chair and Leon Russom to the boards.
Attempting to produce all of Shakespeare's plays would be daunting task for any theatre company but one young group of actors has continued to stay the course. Over a ten-year period, the Porters of Hellsgate have produced twenty of the playwright's thirty-eight plays, steadily working toward their goal of being the first in Los Angeles to mount the entire canon. This season, they tackle three at once with HENRY VI, Parts 1, 2 & 3.
Caryl Churchill's 1982 Obie Award-winning CLOUD 9 receives a hilarious, yet heartstring-tugging revitalization from the always reliable Antaeus Theatre Company. Casey Stangl expertly directs her very talented cast as they skillfully navigate the complexities of each undertaking dual roles. What an incredible showcase for these actors to display their diverse acting ranges.
Sex and gender. Race and power. Politics and family. Plus Queen Victoria! Antaeus Theatre Company presents Caryl Churchill's outrageous, hilarious and bitingly satirical Cloud 9 in a fully partner-cast production. Casey Stangl directs for a March 10 opening at the Antaeus Theater in NoHo, with low-priced previews beginning March 3.
Members of the 'Pro99' movement of Actors' Equity Association have issued an open letter to AEA's newly elected president, Kate Shindle, in response to her victory and to her inaugural address as president of the national union for actors and stage managers. The open letter is signed by over 400 Equity members (listed below), including such notable names as Ed Asner, Francis Fisher, Sally Kirkland and Alfred Molina. The 'Pro99' movement formed in late 2014 in opposition to AEA's rollout of a new plan that will effectively force 'intimate theaters' in Los Angeles to pay Equity actors minimum wage, go 'non-union' or even close - despite an overwhelming vote against the plan by 66% of the Los Angeles membership on an advisory referendum. 'Pro99' members around the nation, who take their name from the current AEA '99 Seat Plan' that allows members to volunteer in smaller venues, oppose AEA's new promulgated plan. They are requesting that Equity leadership put a moratorium on the plan until local members' voices can be heard, and that the union work with its members to develop an alternative plan that will more realistically address the needs of the Los Angeles theater community.
Tonight, April 24, 2014, producer Robb Nanus (Andrew Lippa's I Am Harvey Milk) announces the opening of DEBUTANTE., a new play written by Ryann Weir and created and directed by Annie Tippe.
Producer Robb Nanus (Andrew Lippa's I Am Harvey Milk) presents the world-premiere production of DEBUTANTE., written by Ryann Weir and directed/created by Annie Tippe. After a sold out presentation at Ars Nova's ANT Fest last June, DEBUTANTE. returns to New York City this spring at the Bernie Wohl Center (647 Columbus Avenue) starting tonight, April 23.
Producer Robb Nanus (Andrew Lippa's I Am Harvey Milk) is pleased to announce the full cast for the world-premiere production of DEBUTANTE., written by Ryann Weir and directed/created by Annie Tippe. After a sold out presentation at Ars Nova's ANT Fest last June, DEBUTANTE. returns to New York City this spring at the Bernie Wohl Center (647 Columbus Avenue) starting April 23.
Award winning playwright Kevin O'Morrison's evocative drama for five women is set in the 1919 St. Louis 'ladyhouses,' so-called while men were off fighting, and women almost exclusively occupied these tenements. LADYHOUSE BLUES opens tonight, February 16th at NewPlace Studio Theatre.
Award winning playwright Kevin O'Morrison's evocative drama for five women is set in the 1919 St. Louis 'ladyhouses,' so-called while men were off fighting, and women almost exclusively occupied these tenements. LADYHOUSE BLUES opens February 16th at NewPlace Studio Theatre.
The Pasadena Playhouse has announced the cast for the second presentation of its 2012 - 2013 HOTHOUSE at The Playhouse series, Aunt Stossie's Coming for Five Days. Written by Ellen Simon and directed by Dámaso Rodriguez (former Associate Artistic Director of The Pasadena Playhouse, Co-Founder of the Furious Theatre and incoming Artistic Director for the Artists Repertory Theatre in Portland), the staged reading will star Marsha Mason (The Goodbye Girl, 'The Middle') in the title role, Mary Steenburgen ('30 Rock,' 'Bored to Death,' The Proposal) and Kirsten Vangsness ('Criminal Minds') and will perform tonight, January 8 and 9, 2013, in the Carrie Hamilton Theatre at The Pasadena Playhouse.
The Pasadena Playhouse has announced the cast for the second presentation of its 2012 - 2013 HOTHOUSE at The Playhouse series, Aunt Stossie's Coming for Five Days. Written by Ellen Simon and directed by Dámaso Rodriguez (former Associate Artistic Director of The Pasadena Playhouse, Co-Founder of the Furious Theatre and incoming Artistic Director for the Artists Repertory Theatre in Portland), the staged reading will star Marsha Mason (The Goodbye Girl, 'The Middle') in the title role, Mary Steenburgen ('30 Rock,' 'Bored to Death,' The Proposal) and Kirsten Vangsness ('Criminal Minds') and will perform January 8 and 9, 2013, in the Carrie Hamilton Theatre at The Pasadena Playhouse.
The Porters of Hellsgate present William Shakespeare's KING LEAR, starring Larry Cedar and directed by Thomas Bigley.
The choices I have made are based solely on the plays and performances that I actually saw. I cannot see all the great talent that is out there in LA; it is physically impossible, as there exist far too many theatre/cabaret performances for one person to cover. So if a choice of yours is not on my list, chances are, I did not see that play or performance...or, it just did not make the final cut. I also do not separate Equity from Equity waiver; I consider all the productions/performances I select to be of top-of-the-line quality/professionalism.
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