Jordan Brown

The Theatre Group at SBCC presents TREASURE ISLAND, a thrilling adventure adapted from Robert Louis Stevenson's classic tale. Join Jim on a dangerous voyage filled with buried treasure, pirates, and theatrical magic. Don't miss this exhilarating experience at the Garvin Theatre from February 28-March 16, 2024.

It's the final week left to vote for the 2023 BroadwayWorld Indianapolis Awards! Voting ends on 12/31 at midnight. Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

There's just two weeks left to vote and we have the latest standings as of Monday, December 18th for the 2023 BroadwayWorld Indianapolis Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

It's the final 3 weeks and we have the latest standings as of Monday, December 11th for the 2023 BroadwayWorld Indianapolis Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

It's December, and the first standings of the month have been announced as of Tuesday, December 5th for the 2023 BroadwayWorld Indianapolis Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

Happy Holidays! The latest wave of standings have been announced as of Monday, November 27th for the 2023 BroadwayWorld Indianapolis Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

Chesapeake Shakespeare Company ensemble performers are quick on their feet, perfect in their enunciation, energetic and expressive as they deliver Shakespearean favorite plot elements of upper class people in forests, merriment, witty banter, love triangles, and everyone getting married. The action is fast-paced, the set stunning and immersive.

High Concept Labs (HCL), a Chicago-based arts service organization and artist incubator, is pleased to premiere Scale, a dance work directed, choreographed and performed by HCL 2023 Fellow Artist in Residence, Maggie Bridger with the support of Monira Foundation.

Following a public workshop last year, Rorschach Theatre will present SOMETIMES THE RAIN, SOMETIMES THE SEA by Julia Izumi March 24 - April 16, 2023 at Atlas Performing Arts Center.

Congo Square Theatre Company (Congo Square), one of the nation's premier African American theatres, will present the third season of its popular Hit 'Em on the Blackside (HOTB) sketch comedy series.

A multi-talented cast in a unique, romantic setting makes for a lovely summer evening. Shakespeare's MUCH ADO ABOUT NOTHING is the progenitor of the modern rom-com. Maybe this is why it has been placed in so many different eras of civilization from its original Renaissance setting to Edwardian England to the Roaring Twenties to its present incarnation in Post-World War II France. No matter where it travels, audiences will recognize the bickering protagonists, gossipy friends, meddling family, village buffoons, and broad comedy with a touch of tragedy.

signature Theatre’s SigSpace will present the first-ever installation from Quiara Alegría Hudes and Sean Ortiz’s Emancipated Stories project, designed by Yazmany Arboleda with Emmanuel Oni and featuring letter-writing sessions and pop-up performances produced in collaboration with The Fortune Society.

What did out critic think? The essential attribute of the play, the combative romance of Benedick and Beatrice (Dylan Arredondo and Anna DiGiovanni), is the only truly sacred element of the play. Dylan Arredondo and Anna DiGiovanni, give these principals a full-throated presentation, Arredondo leaning heavily on physical comedy and DiGiovanni on the more cerebral element. In the end, their predicament is that in their merry combat each of them has painted themself into a corner; they need to become lovers but for all their formidable brains neither can do it without the help of friends and a development in the subplot that gives them an excuse to reset their relationship. This problem gives them a delicate palette of emotions to evince: scornful derisiveness, hesitancy, hypocrisy, passion, rueful candor. Arredondo and DiGiovanni serve these changes up charmingly.

La Chapelle Scènes Contemporaines unveils today its entire 2022-2023 season. As usual, this 32nd season will be faithful to its mandate, open to hybrid and transversal forms by offering a panoramic vision of creation, in all its diversity: 

This is the last chance to vote for the 2021 BroadwayWorld Washington, DC Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

Time is running out to vote for for the 2021 BroadwayWorld Washington, DC Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

Our readers set the nominees, and now voting is open for the 2021 BroadwayWorld Washington, DC Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

Our readers set the nominees, and now voting is open for the 2021 BroadwayWorld Washington, DC Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

It is, of course, mere coincidence that former South African State President F.W. de Clerk died only three days before Athol Fugard’s My Children! My Africa! opened at Washington Stage Guild, but it sets a mood. de Clerk was the last President of apartheid-afflicted South Africa; he led the government’s sometimes acrimonious negotiations with Nelson Mandela to bring democracy to that benighted country, for which they shared a Nobel Prize.

The Washington Stage Guild will return to the stage with a masterwork by one of the modern theatre’s most important figures: My Children! My Africa!, the great South African playwright Athol Fugard’s meditation on education and its role in the struggle for justice, along with its sad limits in a culture of oppression and bigotry.