Fred Wells

Rodgers and Hammerstein's A Grand Night for Singing will open on Valentine's Day at the Bridgetown Conservatory of Musical Theatre's Black Box.

Bridgetown Conservatory of Musical Theatre will present Rodgers and Hammerstein's 'A Grand Night for Singing' in February as the first production of their 2024 roster of small musicals.

The Shaw Festival’s Outdoors @ The Shaw returns for another year of theatre, concerts and curated experiences alfresco from June 3 to October 7 on the grounds of the Shaw Festival.  

Artistic Director Tim Carroll has unveiled the Shaw Festival's 2023 casting and creative teams for the Festival Theatre, Royal George Theatre, Jackie Maxwell Studio Theatre, BMO Stage, as well as the newly added Spiegeltent.

The Shaw Festival has announced its 61st season. A mix of classics, real hidden gems, new works and a variety of voices will be seen, heard and experienced in both their indoor and outdoor spaces next season.

San Francisco's 42nd Street Moon presents its first production of 2022: the Tony Award®-nominated A GRAND NIGHT FOR SINGING, a musical revue showcasing the songs of Rodgers and Hammerstein. A GRAND NIGHT FOR SINGING was conceived by Walter Bobbie and features music by Richard Rodgers, lyrics by Oscar Hammerstein II and music arrangements by Fred Wells.

42nd Street Moon opens their 21-22 season with a tribute to one of the greatest songwriting teams in American musical theatre - Richard Rodgers and Oscar Hammerstein II. Musical revues live and die on two factors: the choice of material and the talent of the presenters. This Tony-nominated revue, first presented on Broadway in 1993, includes lesser-known works (Pipe Dream, State Fair) alongside the duos biggies (Oklahoma, The King and I, South Pacific). The songs are a lovely mix of comedy and romance using the original vocal arrangements by Fred Wells. Director Cindy Goldfield has assembled a capable cast of vocalists to present this material, excelling in both solos, duets and company numbers.

San Francisco’s 42nd Street Moon (Daniel Thomas, Executive Artistic Director and Daren A.C. Carollo, Producing Artistic Director) is pleased to announce the complete cast and creative team for the Company’s first production of 2022: the Tony Award®-nominated A GRAND NIGHT FOR SINGING, a musical revue showcasing the songs of Rodgers and Hammerstein. A GRAND NIGHT FOR SINGING was conceived by Walter Bobbie and features music by Richard Rodgers, lyrics by Oscar Hammerstein II and music arrangements by Fred Wells.

San Francisco’s 42nd Street Moon has announced the complete cast and creative team for the Company’s first production of 2022: the Tony Award®-nominated A GRAND NIGHT FOR SINGING, a musical revue showcasing the songs of Rodgers and Hammerstein. 

Eight talented singers a part of the Bergen County Players staged Rodgers and Hammerstein's Tony Award-nominated musical revue at the Little Firehouse Theater in Oradell in a delighted audience.

Goodspeed Musicals reopened its doors on September 24 with the rousing revue, A Grand Night for Singing. This fresh take on the quintessential work of Rodgers & Hammerstein will run through November 28, 2021.

BroadwayWorld has a first look at rhearsals for A Grand Night for Singing: A Celebration of Rodgers & Hammerstein for the iconic Opera House stage at Goodspeed!

A Grand Night for Singing, a fresh and fun Celebration of Rodgers & Hammerstein, is now playing through November 28 at The Goodspeed. Featuring artful arrangements and clever interpretations, A Grand Night for Singing is a lively revue that seems tailor-made for Goodspeed.

BroadwayWorld has a first look at rhearsals for A Grand Night for Singing: A Celebration of Rodgers & Hammerstein for the iconic Opera House stage at Goodspeed!

Goodspeed Musicals has announced the cast of A Grand Night for Singing: A Celebration of Rodgers & Hammerstein – marking the thrilling return of live musicals to the Opera House stage.

Today, Goodspeed Musicals announced the talented team of Broadway and Off-Broadway artists who will create the magnificent A Grand Night for Singing: A Celebration of Rodgers & Hammerstein for the iconic Opera House stage.

The performance features songs from Rodgers & Hammerstein, including Oklahoma!, The Sound of Music, and more!

The Winter Park Playhouse continues to delight audiences with its new 2020-21 Series of professional Mainstage musicals. The following are the show selections being produced by The Playhouse for the upcoming theatre season:  

Maine State Music Theatre continues its impressive 2016 lineup of shows with two performances on June 20, 2016, of A Grand Night for Singing, a musical revue conceived by Walter Bobbie to showcase the glorious songs of Richard Rodgers and Oscar Hammerstein II. Directed and choreographed by Curt Dale Clark with tap choreography by Raymond Marc Dumont, the revue features a sixteen-member cast of young professionals drawn from the intern company and local Maine performers, who turn in a performance that offers not only grand singing and dancing, but also speaks to the huge reservoirs of talent that MSMT is proud to possess. The original 1993 twenty-seven song revue skillfully weaves together a wide range of Rodgers and Hammerstein's works in arrangements by Fred Wells (and lovely orchestrations by Michael Gibson and Jonathan Tunick) from both their smash hits like Oklahoma, Carousel, South Pacific, The Sound of Music, The King and I, and Cinderella, as well as gems from lesser-known shows like Allegro, State Fair, Flower Drum Song, and Pipe Dream. Patrick Fanning serves as MSMT's Music Director, conducting the wealth of melodic material with elan, delicious detail, and nuance and eliciting from the young cast lyrical and idiomatic renditions of beloved sings such as 'We Kiss in a Shadow,' 'Maria,' 'If I Loved You,' and 'This Nearly Was Mine' or upbeat numbers like 'Honey Bun' and 'Oh, What a Beautiful Morning!' The dynamically staged and imaginatively choreographed production by MSMT's Artistic Director Curt Dale Clark - with a dazzling, intricate tap number created by Raymond Marc Dumont for 'Kansas City' - is brimming with class, warmth, and humor. Clark inspires the cast to bring to their music and vignettes an infectious and embracing energy, an eloquence of emotion spiced with mischievous moments. His pacing is brisk, and he effectively builds a lively sense of character and communication among the cast members, who share their enthusiasm with the public, even interacting on several occasions with the audience in the house. By retooling the contexts of many of the songs, he is able to add a contemporary and universal touch to their appeal. Most of all, he helps these young artists find and share the timeless heart in this treasure trove of American musical theatre. Using the bare bones of the Ghost set makes for a minimal but attractive decor. The characterful casual and subsequently elegantly formal costumes by Travis S. Grant are carefully chosen for their complementary pastel hues; the kinetic lighting by Heather Reynolds and a well-balanced sound design by Nate Dickson contribute to making this revue offers a feast for eyes and ears. Working seamlessly as an ensemble, the youthful cast gives their all both in the big production numbers and in focused solos, amply illustrating the meaning of the musical theatre term 'triple threat.' They sing beautifully; they dance with technical aplomb, and they act with irresistible charm. Moreover, each and every one of them knows how to interpret a song - to make it more than a lyrical moment. Each has several occasions to shine, and Clark and Dumont have skillfully mined their individual strengths. Among the many highlights are a perky rendition of 'Surrey with the Fringe on Top' (Eric Berry-Sandelin, Katie Whittemore, Cameron Wright, Rachel Grindle, Hugh Cipparone, Berkley Jones), inspired vocal interpretations of 'If I Loved You (Jennifer Kennedy), 'It Might As Well Be Spring' (Berkely Jones)'This Nearly Was Mine,'(Matthew LaBerge), a smoldering account of 'Maria' (Alex Drost), a romantic 'We Kiss in a Shadow' (Giovanni DiGabrieli), a winsome 'All At Once' (Marty Lauter, Cipparone), and a single verse in 'Love Look Away' to bring tears to the eyes (Lauter), a feisty 'Stepsisters' Lament,' (Ali Sarnacchiaro, Haley Ostir, Megan Flynn), a spirited 'I Can't Say No' (Molly Keane-Dreyer, Kennedy), and a witty 'The Gentleman Is A Dope' (Alex Drost, Kyle Laing, Ostir, DiGabrieli, Lauter). The numerous ensemble numbers are enhanced by the strong camaraderie and chemistry among the players, making for some memorable comic and romantic moments such as the women's septet in sunny 'Wash That Man' and the men's octet in a plaintive 'Love Look Away.' The choreography is expressive, lyrical, and catchy by turns - ranging from ballet and modern to jazz and tap - with such numbers as the sweeping polka of 'Shall We Dance?' or the dueling tap in 'Kansas City' garnering special attention. Special mention to Berkely Jones, Marty Lauter, and Kyle Laing for their dance solos and impressive technique. To spend an evening with these magnificent Rodgers and Hammerstein classics makes it impossible not to take away a renewed appreciation for their geniuses and a love of their legacy. But A Grand Night for Singing does something else as well. It proves to be one more piece of evidence that MSMT is truly, as its catchphrase promises, 'Bringing Broadway to Brunswick.' Photos courtesy of MSMT, Roger S.Duncan, potographer Evita which begins on June 29 - July 16 at the Pickard Theater, 1 Bath Rd., Brunswick, ME, on Monday, June 20 at 2:00 p.m. and 7:30 p.m. For tickets call box office at 207-725-8769 or visit online at www.msmt.org

Reagle Music Theatre of Greater Boston will present a tribute to the genius of Rodgers & Hammerstein with the return of A Grand Night for Singing, this weekend, September 26-27 at the Robinson Theater (617 Lexington St, Waltham, MA, 02452).