Review: THE MAGNETIC FIELDS: 69 LOVE SONGS, Barbican Hall
by Franco Milazzo - September 03, 2024
Wearing a T-shirt emblazoned with the name of American metal band Goatwhore, Stephin Merritt and his Magnetic Fields bandmates arrived in London last weekend to celebrate the 25th anniversary of genre-blending 69 Love Songs....
Review: THE MARRIAGE OF FIGARO, Royal Ballet and Opera
by Gary Naylor - September 03, 2024
Mozart, music and mayhem in a tale of an outfoxed aristocrat brought down to earth...
Review: WING CHUN, Sadler's Wells
by Franco Milazzo - September 02, 2024
Presented as a side-by-side narrative by the Shenzen Opera and Dance company, Wing Chun tells the story of kung fu grandmaster and Bruce Lee mentor Yip Man as well as that of a film crew making a movie about his life....
Review: BBC PROMS: PROM 54: BEETHOVEN FOR THREE, Royal Albert Hall
by Kat Mokrynski - September 02, 2024
With soloists Leonidas Kavakos, Emmanuel Ax and Yo-Yo Ma on violin, piano and cello respectively coming together to form a mighty trio of classical musicians, audiences are in for a treat, regardless of what is being played. Indeed, I found myself thinking that the musicians could have just performe...
Review: THE COMEDY OF ERRORS, Shakespeare's Globe
by Abbie Grundy - August 30, 2024
Chaos and confusion reign in this laughter-filled production....
Review: G, Royal Court Theatre
by Cindy Marcolina - September 01, 2024
Magical realism is hard to come by in the theatre. Playwright Tife Kusoro dips into urban legends and creepypasta to deliver a fascinating coming-of-age piece. With stunning direction by Monique Touko, G is a brilliant supernatural cautionary tale - a description that’s, admittedly, not entirely acc...
Review: A NIGHT WITH JANIS JOPLIN THE MUSICAL, Peacock Theatre
by Franco Milazzo - August 29, 2024
Who wouldn’t want to spend a night with Janis Joplin? Despite barely hitting the charts on this side of the pond, the American singer still symbolises the best (and worst) of the Sixties over fifty years before she joined the 27 Club. Not that you would know from this show....
Review: DEATH OF ENGLAND: CLOSING TIME, @sohoplace
by Alexander Cohen - August 29, 2024
It only premiered last October, but Death of England: Closing Time, the final chapter in Roy Williams and Clint Dyer’s state of the nation triptych, not only retains its spine-frosting freshness, but feels more dangerous than ever....
Review: THE FIFTH STEP, Pavilion Theatre
by Natalie O'Donoghue - August 29, 2024
Thirty something Luka is new to Alcoholics Anonymous and looking for a sponsor. James is older, has been in the programme for years, surely he’s the perfect person to shepherd the younger man through each of the twelve steps on the road to recovery. Or maybe life just isn’t that simple....
Review: THE LITTLE DEATH, King's Head Theatre
by Christiana Rose - August 29, 2024
**** THE LITTLE DEATH at Kings Head Theatre unveils and encourages shamelessness, this is a bold play concerned with the relentless pursuit of seeking pleasure @littledeathshow @grimlittleberry @justin.atkins...
Review: STATE BALLET OF GEORGIA'S SWAN LAKE, London Coliseum
by Aliya Al-Hassan - August 29, 2024
It's a significant cultural moment for the State Ballet of Georgia, who come to London for the first time in their 175 year history to perform the iconic Swan Lake....
Review: THE HISTORY BOYS, Theatre Royal Bath
by Cheryl Markosky - August 29, 2024
What is the purpose of education? Is it to get a place at a hallowed university to ensure a high-paying job and successful future? Or to expand minds and acquire knowledge for knowledge's sake?...
Review: BOUND, Bargehouse
by Franco Milazzo - August 27, 2024
As shown in Amber Jarman-Crainey’s Bound (stylised as B O U N D), talking to the dead is not solely the preserve of spiritualists and mediums. Her immersive meditation on grief manifests in the form of nine storylines where the living pour their hearts to those who have passed....
Review: BBC PROMS: PROM 47 – DOCTOR WHO PROM, Royal Albert Hall
by Debbie Gilpin - August 27, 2024
“Never seen a TARDIS before?” For many in attendance at the Royal Albert Hall, this probably is quite likely! The Proms haven’t had any adventures in time and space since Doctor Who’s 50th anniversary celebrations back in 2013, so its return was well overdue - especially as there have been several i...
Review: BBC PROMS: PROM 46: HOLST'S THE PLANETS, Royal Albert Hall
by Aliya Al-Hassan - August 26, 2024
If anyone were to worry about the future of classical music, Prom 46 would surely reassure them that we are in good hands. Students from the Royal College of Music Chamber Choir, Royal College of Music Symphony Orchestra and the Sibelius Academy Symphony Orchestra came together for an incredibly pow...
Review: EDINBURGH 2024: PLAYFIGHT, Roundabout @ Summerhall
by Abbie Grundy - August 25, 2024
Comedic and heartbreaking all at once....
Review: JULIA BULLOCK AND BRETTON BROWN, Bold Tendencies
by Matthew Paluch - August 27, 2024
Since 2007, Bold Tendencies has been bringing “radical practices, new generations of talent, learning opportunities and sought-after disciplines to Peckham” - and judging by the performance I saw: Julia Bullock and Bretton Brown, the original mission is still very much in full swing....
Review: EDINBURGH 2024: FAILURE PROJECT, Summerhall
by Abbie Grundy - August 25, 2024
An apt look the ways in which success and failure intermingle....
EDINBURGH 2024: Review: BAD HABIT, The Space @ Surgeons Hall
by Abbie Grundy - August 24, 2024
A production full of laughter and promise....
Review: THE INCREDIBLY SCARY OBJECT, Jack Studio Theatre
by Gary Naylor - August 24, 2024
A NASA press conference goes off the rails as the probe, and the probing, goes awry...
Review: LOST SOUL 2, Liverpool's Royal Court
by Sarah OHara - August 23, 2024
Brick Up the Mersey Tunnels and Council Depot Blues writer Dave Kirby is back at Liverpool’s Royal Court with Lost Soul 2....
Review: MR PUNCH AT THE OPERA, Arcola Theatre
by Franco Milazzo - August 22, 2024
It’s not every show that hands out party poppers as you go in. Aimed at young audiences, Mr Punch At The Opera whips together the iconic hand-puppets with a musical amuse-bouche....
Review: BBC PROMS: PROM 42: BEETHOVEN'S NINTH BY HEART, Royal Albert Hall
by Louise Penn - August 22, 2024
Since 2005, Aurora Orchestra have been performing classical pieces from memory with no score and free movement around the stage. Their passion for their craft is wonderful, and extends to all those who are lucky enough to see them work. This was an inclusive and accessible Prom, vibrant and vivaciou...
Review: SHIFTERS, Duke of York's Theatre
by Aliya Al-Hassan - August 22, 2024
An eloquent and very funny depiction of two young black British people, navigating their way through a waxing and waning relationship. It is a bittersweet, intelligent and exciting piece of theatre....
Review: OKLAHOMA! IN CONCERT, Theatre Royal Drury Lane
by Mica Blackwell - August 21, 2024
Oh, what a beautiful evening indeed! Oklahoma! In Concert is a triumphant celebration of the musical's 80-year legacy and lasting impact over musical theatre. With a star-studded cast who bring freshness to the iconic roles with an edge of familiarity, there’s no better way for Oklahoma! to return t...