ST GEORGE’S HALL

by Gary Naylor - November 17, 2024

Director, Daniel Bailey, follows up his hit Red Pitch with a play that cannot locate the detail it needs to step out of a generic plot...

by Franco Milazzo - November 15, 2024

Whether on the news or on Netflix, dystopia seems the theme of the year. With a disturbing score from Max Richter, Wayne McGregor’s enthralling and infuriating interpretation of Margaret Atwood’s Maddaddam trilogy is a panoramic work that peers into a future which is all too plausible and none too p...

by Gary Naylor - November 15, 2024

Words run out, as The Voice is lost and recovered...

by Sarah OHara - November 15, 2024

Liverpool’s Royal Court Theatre are known for their twists on fairytale classics, including this year’s Christmas production of Scouse Red Riding Hood....

by Gary Naylor - November 14, 2024

Confusing take on Macbeth packs too much innovation into its 90 minutes runtime...

by Franco Milazzo - November 13, 2024

Returning to the West End La Clique is back with a new cast. After two decades of presenting some of the finest vaudeville talent around, is this the beginning of the end or the end of the beginning for this cabaret institution?...

by Gary Naylor - November 13, 2024

Lisa Lintott's debut play sheds light on Britain in the 70s and leaves us with much to ponder as to whether we've progressed far enough...

by Gary Naylor - November 08, 2024

Damiano Michieletto brings plenty of pizzazz to Offenbach's crowdpleaser, but wastes some of his on-stage talents...

by Matthew Paluch - November 08, 2024

Ballet Black return to the Royal Ballet and Opera's Linbury Theatre with their current double bill Heroes. It's a quick night with around one hour of dance, but an unsuccessful one choreographically. ...

by Franco Milazzo - November 07, 2024

Smashing together tap dance and film noir, Romain Rachline Borgeaud’s Stories is wrapped around an immersive form of storytelling. Is the world ready for tap noir?...