Review: AMAZE, Criterion Theatre
by Gary Naylor - October 23, 2024
A personal show with plenty of 'Wow!' and a nice counterpoint to the gods of magic who deliver miracles from on high...
Review: LUNA, Sadler's Wells
by Josh Maughan - October 23, 2024
Guided by the vision of five female, international choreographers, Luna narrates the complexities of womanhood—its beauty, struggles, and power. While Luna has some notably powerful moments, and the music is beautiful, it ultimately falls short in its current form....
Review: BRIDGE COMMAND, Vauxhall
by Franco Milazzo - October 23, 2024
Ever wanted to captain a spaceship on a mission to explore strange new worlds, seek out new life and new civilisations and perhaps shoot up some enemy ships along the way? With the aid of a shiny new £3.5m set, Parabolic Theatre’s Bridge Command realises every sci-fi geek’s dream....
Review: THE FLEA, The Yard Theatre
by Katie Kirkpatrick - October 23, 2024
Now this is how you do historical theatre. Eccentrically re-imagined yet alarmingly real, James Fritz’s The Flea is masterfully made. The show is a quirky retelling of a forgotten piece of queer British history: in an unlikely chain of events, the secrets of a gay brothel threaten to bring down some...
Review: ENCOUNTERS: FOUR CONTEMPORARY BALLETS, Royal Ballet And Opera
by Matthew Paluch - October 23, 2024
The Royal Ballet season continues with its first modern bill - Encounters: Four contemporary ballets. For some, like me, the four works presented are all new, but in actuality only two of the four are premières. And one of those is in fact a development of an existing (2022) pas de deux into a bigge...
Review: THE SOUND OF PHILADELPHIA, Royal Albert Hall
by Kat Mokrynski - October 21, 2024
The Sound of Philadelphia, a celebration of “50 years of Philly Soul,” hosted by Sir Lenny Henry, celebrated the Philly soul genre, which is “characterised by funk influences and lush string and horn arrangements,” so it only makes sense that the music of the night would be performed by the BBC Conc...
Review: THE KEY OF DREAMS, Treowen
by Franco Milazzo - October 20, 2024
With tickets costing £400 each and a storyline stretching over 24 hours, is Lemon Difficult’s The Key Of Dreams the ultimate in immersive theatre? ...
Review: AUTUMN, Park Theatre
by Katie Kirkpatrick - October 19, 2024
Based on Ali Smith’s novel, Autumn is a curious blur of images and ideas, which weave in and out of each other with varying success. At the centre of it all, however, is an unlikely friendship, originally formed between an eight-year-old girl and the elderly man next door....
Review: THE REST IS HISTORY: MOZART AND BEETHOVEN, Royal Albert Hall
by Cheryl Markosky - October 21, 2024
It's one of the most unlikely moments in the history of entertainment. Two bespectacled 50-something English historians, Tom Holland and Dominic Sandbrook, bound onto the stage of the Royal Albert Hall, like rock stars, to tumultuous applause. Eat your heart out, Mick and Keith!...
Review: RADIOACTIVE PRACTICE - ABBY Z AND THE NEW UTILITY, Sadler's Wells
by Matthew Paluch - October 21, 2024
Dance Umbrella continues in London with Radioactive Practice by Abby Z (Abby Zbikowski) and the New Utility. Sadler’s Wells is transformed for the work with three banks of seats placed on the stage and the upper two circles of the auditorium closed. Some audience members still sit in the stalls, but...