Review: THE BLACK SAINT AND THE SINNER LADY, Barbican Theatre
by Franco Milazzo - September 27, 2024
Charles Mingus originally intended for his iconic 1963 jazz album The Black Saint and The Sinner Lady to be accompanied by dancers and, thanks to performance company Clod Ensemble and the Nu Civilisation Orchestra, it becomes the inspiration for a vibrant and inclusive show....
Review: HOUSE, Barbican
by Alexander Cohen - September 27, 2024
A single house in the Middle East is the focal point in this stage adaption of the Israeli-French filmmaker’s documentary trilogy from La Colline - Théâtre National. Borders, identities, geographies, cultures and people change, and yet its four walls remain the same....
Review: GIANT, Royal Court
by Gary Naylor - September 27, 2024
John Lithgow impresses as Roald Dahl in an unconvincing drama that is unlikely to change many minds...
Review: THE CABINET MINISTER, Menier Chocolate Factory
by Cindy Marcolina - September 28, 2024
Sir Julian Twombley is in hot waters when it’s discovered that his family has been living way beyond his House of Commons’ wages. This isn’t the latest front page of a Daily Mail-made political attack, it’s the premise of one of Arthur Wing Pinero’s later comedies. Though Victorian farce isn’t exact...
Review: GINGER JOHNSON BLOWS OFF!, Soho Theatre
by Kat Mokrynski - September 26, 2024
Have you ever been sitting on a stool on a stage, being asked to load a confetti cannon with five containers, one of which containing push pins, that will be shot into the unguarded face of a drag queen? Not many will be able to say they have, but those who attend Ginger Johnson Blows Off! may have ...
Review: BLUE MAN GROUP: BLUEVOLUTION, London Palladium
by Franco Milazzo - September 26, 2024
Describing a Blue Man Group show after just leaving one to a person who has never seen them may feel like sticking jelly to a wall: messy, futile and you might be feeling a bit sticky....
Review: PINS AND NEEDLES, Kiln Theatre
by Gary Naylor - September 26, 2024
New play packs plenty of ethical questions into an engaging and fascinating production that offers much to think about on the way home...
Review: BIANCA DEL RIO: DEAD INSIDE, Eventim Apollo
by Franco Milazzo - September 25, 2024
Eighty dates into Bianca Del Rio’s Dead Inside tour, the sweary New Orleans-born comedian is still very much alive and kicking. The artist formally known as Roy R. Haylock is an insult comic whose outsized personality and foghorn voice easily fills the capacious Eventim – but does her latest show wo...