by Franco Milazzo - January 24, 2025
With life-size puppets and cinematic stylings, Plexus Polaire’s Moby Dick is a dark and immersive plunge into Herman Melville’s epic story....
by Christiana Rose - January 24, 2025
In a glorious assault on the image obsessed and therefore resulting trauma of the Noughties, Amy Annette’s ‘Thick Skin’ Debut UK Tour opened at The Soho Theatre to a sell-out audience. Through familiar nostalgia, the mesmerising image of a Nokia 6110 model consumed the background, a game of ‘Snake’ ...
by Franco Milazzo - January 24, 2025
If sacred cows make the best burgers, Underbelly Soho could soon become the most popular fast food joint around. One Man Musical’s latest outing is quickly becoming something of a word-of-mouth must-see and, while the marketing is understandably coy about who the “one man” is, it becomes clear early...
by Matthew Paluch - January 24, 2025
The one thing we can always count on is a new reading of The Rite of Spring. Welcome to London the Dewey Dell, 2023 production at the Purcell Room on the Southbank.
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by Alexander Cohen - January 23, 2025
Shifting identities and hierarchies interweave like a spider’s web in Cymbeline. A pinch of added complication can’t hurt?...
by Matthew Paluch - January 23, 2025
Cranko took the predictable love melodrama - I want you, I don't, actually I do, well now I don’t - and turned it into a full-length, 3 act ballet. It divides people - some love, some less so. I definitely think it has strong moments throughout, and an overall, refined structure that can't be denied...
by Cheryl Markosky - January 22, 2025
David Tennant and Cush Jumbo lead a first-rate cast in a raw, visceral, brutal and ultimately hopeful show filmed live at the Donmar Warehouse in London....
by Cindy Marcolina - January 21, 2025
Erik Kahn’s play tested very positively in the States early last year and has gained even more resonance since then. Reviewing it on the day of the United States Presidential Inauguration, where Elon Musk gave a hasty Roman salute to Trump’s rapt audience, hit differently. In front of us, Charlotte ...
by Alexander Cohen - January 18, 2025
A case of never being more than the sum of its parts, even if those parts have promise in themselves....
by Gary Naylor - January 18, 2025
Polish production is powerful theare-making, but lacks heart and conviction in its storytelling...
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