BRIDEWELL THEATRE

by Cindy Marcolina - March 17, 2026

Loeb certainly offers a list of thought-provoking provocations but doesn’t delve into anything that’s not already obvious if you’re a cynical mind. Predictably, money is the source of all evil, and what begins as a legitimate project to help heal the illnesses of the world becomes a profitable...

by Franco Milazzo - March 16, 2026

At The Vaults, Ancient Grease arrives with impeccable comic timing. The leather-jacketed mythology of Grease has rarely been far from London’s cultural bloodstream. Indeed, the city has been particularly well supplied with it of late thanks to Secret Cinema, which mounted Grease: The Immersive Mov...

by Franco Milazzo - March 16, 2026

After the recent avalanche of historical exhibitions which have stretched the “immersive” beyond the point of plausibility, is Vikings worth the trek to Dock X? ...

by Cindy Marcolina - March 15, 2026

Routine is Maya’s religion. She lives by her schedule, even factoring in the unforeseen circumstances that might lead her to needing more time to rest on a Saturday. She manages the accounts of a food packaging company and lives in London with her boyfriend. Maya is as normal as it gets. She is ou...

by Vikki Jane Vile - March 14, 2026

Perhaps New York City Ballet Principal, Tiler Peck should rename her self curated programme Turn it On...

by Cindy Marcolina - March 14, 2026

The tail end of the 90s is shaking the walls of Southwark Playhouse’s studio space. Inspired by over 30 testimonies from Donnyites, and originally shortlisted for both the 2023 Women’s Prize for Playwriting and the 2024 New Diorama Untapped Award, Children of the Night is a thumping anthem to fr...

by Clementine Scott - March 12, 2026

In the much-cited 2014 book The Body Keeps the Score, the Dutch psychotherapist Bessel van der Kolk wrote of how the human body can be undone and rewired by traumatic experiences. In Iron Fantasy, comedy duo She-Goat have absorbed this idea into their musical comedy, and explored if and how one can ...

by Gary Naylor - March 12, 2026

Australian adaptation of the original story, not the film, packs a punch...

by Katie Kirkpatrick - March 11, 2026

Known for her evocative, folk-infused sound, Manic Street Creature sees Memon take the reins as writer and composer as well as performer, bringing her distinctive voice to a personal story of second-hand trauma. First performed at the Fringe in 2022, it’s now back in a new production at the Kiln.�...

by Cindy Marcolina - March 11, 2026

The best of Irish playwriting lands at the Barbican in an exciting project. An audience of one steps into a booth blindly for a play they don’t get to choose. Six five-minute one-act shows penned by Enda Walsh, Marina Carr, Mark O’Rowe, Joy Nesbitt, Louise O’Neill and Katie Holly are offered o...