Zest Theatre and Half Moon Present WHAT ONCE WAS OURS UK Tour

Highlighting the opinions of those too young to vote in the referendum, two of the UK's leading companies creating work for young people have collaborated on a show based on interviews from over 200 teenagers from four areas of Britain: two that voted Leave and two that voted Remain. What Once Was Ours has been made in reaction to the extreme polarity of opinions and the readiness to attack those with alternate ones, and is aimed at increasing understanding and conversation between those of differing views. The show focuses on a half-brother and sister from very different backgrounds and the struggling relationship when one asks for help.

Katie and Callum couldn't be any more distant and disconnected: different heritage, different cities, different opportunities. Except there is one thing they'll always have in common: Dad. What happens when Callum suddenly turns up in desperate need of help? Beautiful imagery, striking original music and immersive design combine to create this powerful new production for young people, which asks why we've become so fearful of anyone who is different from us.

Between November 2016 and January 2017, Zest Theatre held extensive workshops in Barnsley, Newcastle/Gateshead, the company's home county Lincolnshire, and in Tower Hamlets where the Half Moon is located. In each area the company talked to and listened to young people from across the divide to find out their feelings on Brexit, Britishness, politics and society. What Once Was Ours was created based on these conversations, and verbatim quotes from the workshops are used throughout the show.

Barnsley voted by 68% to leave the EU, and Boston, Lincolnshire voted to leave by 76%, the strongest leave vote in the country. Tower Hamlets voted to remain in the EU by 68%, and Newcastle by 51%. Zest Theatre also visited Gateshead, across the river from Newcastle, where the vote was 57% leave.

Toby Ealden, Artistic Director of Zest Theatre and director of What Once Was Ours, said, "The impetus for this new production came the day of the EU referendum result. When the result came in, we spent the day hearing so many of the towns we tour to portrayed in the media as somehow less intelligent, racist and small minded. This portrayal didn't do these communities justice.

Chris Elwell, Director of the Half Moon and dramaturg of What Once Was Ours said, "We're excited to be working with Zest Theatre on this exciting new piece of writing for young people that, importantly, has been driven by the voices, words and attitudes of young people across the UK to Brexit. While their views might not have been united, we hope that What Once Was Ours will allow audiences to witness a whole range of different opinions that will allow them to come together and start a more open dialogue."

Lincoln based Zest Theatre, established in 2007 by Toby Ealden, creates theatre for, by and with young people. They aim to make theatre accessible through Dynamic Productions and participation projects inspired by the needs, lives and imaginations of those aged under 25. Zest's previous productions include immersive house party Gatecrash, which toured in 2014 and again in 2016, and Thrive about Post Traumatic Growth, which toured from 2016 to 2017. Director Toby Ealden has been making theatre for young audiences for over ten years including youth theatres, school tours and national touring. His past work includes working as The Youth Theatre director for Nacro, the national crime reduction charity. During his time there, Nacro toured with young people across the country, including to the National Theatre.

Half Moon is the UK's leading small-scale young people's venue and touring company. It is a local organisation with a national remit, committed to supporting artists and young people at every stage of their creative development. Working from their base in East London, Half Moon specialises in new writing and artform development, acting as a gateway organisation that provides pathways for progression and experimentation. Half Moon's wide-ranging programme reaches 50,000 people annually and engages those who are often excluded from arts activity. Half Moon's activity includes a season of professional plays for young audiences, national touring productions and an extensive creative learning programme, including seven youth theatres.

Half Moon is a National Portfolio Organisation of Arts Council England and receives regular funding from the London Borough of Tower Hamlets. Half Moon's digital archive is available at www.stagesofhalfmoon.org.uk.

For more information visit zesttheatre.com or halfmoon.org.uk.

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