Tom Marshman is a Bristol-based artist and performer, who develops shows focusing on queer histories in a highly personal way.
A SHINING INTIMACY is a show about theatre, queer friendships and grief. In this intimate piece, Tom Marshman explores the bond between the late Kenneth Williams and his close friend Maggie Smith, as he revisits the closeness he shared with his dear friend, the late artist Clare Thornton.
Maggie Smith and Kenneth Williams first met in 1957 when they appeared in the same stage review. Drawn to each other and swiftly building trust, the famously prickly Williams found a soulmate in Smith, who instinctively understood, bolstered and appreciated her reclusive and closeted friend. The friendship lasted decades as they both mastered their crafts becoming household names. They professionally collaborated and shared confidences in turn, being very necessary and important to each other.
Taking visual inspiration from the 1960's and 70's via an atmospheric use of projection, Tom examines Kenneth and Maggie's characters as dreamlike apparitions within the theatre. A sensitive portrayal of their successes and personal adversities, Maggie and Kenneth's shining intimacy belongs to a particular moment in history, allowing narrator Tom to reflect on this close friendship of his own, now lost.
Tom Marshman and Clare Thornton were friends, confidantes, housemates and collaborators working in performance, theatre and live art. They developed a playful approach to how one remembers performance acts through their occasional collective The Performance Re-enactment Society. In A Shining Intimacy, this friendship is once again reignited via this personal and moving work.
As well as friendships, A Shining Intimacy explores the actor's craft, the juxtaposition of the 'performer' in public and private, and how we go about 'colouring in the words'. Television and radio interviews are utilised as well as newspaper articles, diaries, bespoke props and memoirs.
Tom Marshman is a Bristol-based artist and performer, who develops shows focusing on queer histories in a highly personal way. He actively encourages dialogues with his audiences and participants, aiming to create a safe space to share thoughts and experiences, and making work that is true to their experiences. His work incorporates a strong visual language employing video projection, stylized movement, sound, and text.
He has presented work for over two decades at theatres and arts spaces including Bristol Old Vic, Arnolfini (Bristol), Oval House, Chapter Arts Centre, Battersea Arts Centre, Colchester Arts Centre. Exeter Phoenix and within Festivals including National Review of Live Art, Mayfest, Inbetween Time, for the National Trust and White Nights.
"One of the most exciting things about Marshman's work is his ability to pick a seemingly small subject and peel back the layers to expose something unexpectedly profound" Big Issue
"The artist's affection for the stories he's telling is palpable" The Stage
Tour dates
Margate Tom Thumb Theatre 06 May
Bristol Tobacco Factory Theatre 09 -12 May
Camden People's Theatre 18 -20 May
Bath Ustinov Theatre 27 May
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