Review: BARNUM, Watermill Theatre

Mark Bramble’s book is anaemic, feeling like a laundry list of Barnum’s achievements with the occasional callout for his ‘humbugs’ from responsible yet devoted wife Charity. Act one drags through the opening of the American Museum while act two hastily swerves into his mayoral career before ending on a high as his collaboration with James Anthony Bailey opens their flagship circus. Director Jonathan O’Boyle feels aware of the book’s misgivings, keeping the pacing brisk while prioritising the spectacle people came for as Coleman’s jaunty songs entertain the audience.

Lee Newby has transformed the Watermill into a full-top circus inside and out. With a fire-eater, jugglers, and an actor-muso group greeting the audience, the entertainment continues inside as a trio of trapezists rehearse. His set has a distinctly American circus aesthetic harkening to the American Dream Barnum sells to punters, with red and blue stripes and white stars adorning the auditorium. Oti Mabuse’s (Strictly Come Dancing) slick choreography keeps the numbers animated and lively, if occasionally restrained from the small stage. 

Matt Rawle (Evita) leads with a smile and glint in his eye as the self-proclaimed ‘Prince of Humbug.’ Possessing the natural charisma required that makes it easy to get whisked away by Barnum’s grandiose if impulsive ideas, Rawle feels way over his head in his ideas to the point you question if he believes them himself. When he closes act one walking a tightrope across the stage, you can’t help but be left on the edge of your seat in amazement.

The rest of the actor-muso ensemble is given their moment to shine. Monique Young makes a great foil to Rawle as his level-headed yet loving wife Charity ‘Chairy.’ Penny Ashmore possesses a soaring soprano as 'Swedish Nightingale’ Jenny Lind while showing her harp and ballet skills. Fergus Rattigan shines in his solo "Bigger Isn’t Better" as Charles ‘General Tom Thumb’ Stratton. Tania Mathurn is a joy as Joice Heth who brings gumption to "Thank God I’m Old". Yes, there’s even a brief appearance from Jumbo the Elephant.

Love or hate him, you can’t deny that Barnum, both person and musical, knows how to put on a good show. The Watermill’s dazzling production fully immerses the audience into the showman’s wondrous world in spite of its inherent script issues. With an all-round talented cast led by the ever charismatic Matt Rawle, you’d be justified if you wanted to run away and join the circus after watching this.

Barnum runs at the Watermill Theatre until 8 September