Mack and Mabel - Cinematically Sublime

With Guys and Dolls and The Producers providing West End audiences with a slice of Broadway magic, Mack and Mabel could not have opened at a better time. Audiences tired of juke box musicals are in for a real treat as this delightfully old fashioned musical reminds you how they don't make 'em like this anymore.

David Soul plays movie mogul Mack Sennett who lives for the moving image. "You can always edit out the bad stuff" he says referring to his life rather than his art. When Mack meets skinny waif Mabel Normand (played by Janie Dee) her life is transformed. Soon her name is in lights and she is the toast of Tinsel-Town. But the world of cinema provides the couple with a real rollercoaster ride and they split up. From here on this romantic tale takes a tragic turn as we witness a star falling from grace.

Featuring the timeless tunes of Jerry Herman, this dreamily romantic Broadway classic rattles along at a fine pace covering the turbulent lives of two incredibly likeable characters from behind the silver screen. David Soul gives a sterling performance and his rendition of "I Won't Send Roses" sends a shiver down your spine. He has genuine chemistry with Janie Dee and they make an engaging couple. Dee has a really strong voice and delivers a show stopping version of "Wherever He Ain't" highlighting her character's new found, albeit short-lived independence.

Michael Stewart's book is remarkable as you leave the theatre feeling educated about the movie world and deeply fond of the main characters. Director John Doyle injects real pace to the proceedings and allows the performers to shine without the aid of a flashy set. There is real heart and soul within this production so Mark Bailey's minimal but effective design works brilliantly.

Each performer also plays an instrument which is truly inspired and makes the piece more involving as you cannot take your eyes off the stage. The ensemble cast rise to these challenges and are all excellent. But Sarah Whittuck stands out for sheer versatility as she plays the Saxophone, sings, acts and tap-dances her way across the stage. Her "Tap Your Troubles Away" recalls the hey-day of the Great White Way and leaves the audience feeling exhilarated.

Robert Cousins chooses to feature the overture at the beginning of the second act whilst Soul sits centre stage as Mack recalls the mistakes he has made in his quest for happiness with Mabel. This is truly involving as the audience feel as if they are part of this remarkable journey.

I cannot praise this brilliant musical enough. It will be a welcome addition to the West End as it is small, beautifully performed and unlike anything else in theatre-land at the moment. But it also provides you with so much warmth and gentle humour that you cannot help but surrender to its charms. The audience on the night I went gave this superb show a rousing reception and so will you.

Mon 27 Feb - Sat 4 March- Manchester Palace Theatre

Mon 6 - Sat 11 March- Guildford Yvonne Arnaud

Mon 13- Sat 18 March- Eastbourne Devonshire Park Theatre

Mon 20- Sat 25 March Nottingham Theatre Royal

WEST END - Criterion Theatre- from 5th April

 

 

 

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