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Review: THE MERCHANT OF VENICE 1936, Trafalgar Theatre
Oswald Mosley’s Blackshirts are getting a foothold in London’s East End. Shylock, here a single parent, requests a pound of flesh from Antonio, part of Mosley’s aficionados, in order to clear his debts. The demands of the Jewish moneylender who’s endlessly abused in public by the same people who require her services immediately gain further nuance in Brigid Larmour and Tracy-Ann Oberman.
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Review Roundup: Did TITANÍQUE Sink or Swim in the West End?
When the music of Céline Dion makes sweet Canadian love with the eleven-time Oscar®-winning film Titanic, you get Titaníque, New York’s most award-winning splash hit that turns one of the greatest love stories of all time into a hysterical musical fantasia.
