BWW Reviews: GOLEM, Trafalgar Studios, April 23 2015

Following a successful run at the Young Vic Theatre, 1927's production Golem has moved to the West End, running at the Trafalgar Studios. The show is not in any way related to Tolkein's disturbing character from The Hobbit or Lord of the Rings - although the theme of obsession is a thread that links that Gollum to this Golem.

The production is visually outstanding and I can honestly say I've never seen anything like it on stage before - the animation and live theatrical element is unique and innovative with the cast of five playing a number of different roles. Golem follows the story of Robert Robertson, an ordinary geeky man who lives with his grandmother and sister Annie. When he purchases a Golem, his life is completely turned on its head - the clay creature takes orders from the owner without question and quickly Robert finds himself being more concerned with his career path and his appearance thanks to a few suggestions from Golem.

And then Golem version 2 is released, bringing a whole wave of problems. Golem version 2 controls its owner more than its owner controls it and exerts its influence not just on Robert, but his family and friends too. Robert eventually finds himself promoted, with two girlfriends and a whole new outlook on life - but has his life actually changed for the better?

The production offers a fascinating insight into the obsession people have today with making sure they have the latest model of a product - phones, tablets, laptops, game consoles - we're a generation committed to getting our hands on the latest gadgets. Hats off to Will Close, Charlotte Dubery, Lillian Henley and Rose Robinson who take on a myriad of roles on stage while also performing live music during other scenes - with a running time of 90 minutes without an interval, they certainly rise to the challenge - while Shamira Turner is fantastic as Robert.

Writer and Director Suzanne Andrade has created a visually dazzling production, which is in no small part thanks to Paul Barritt's fantastic animation and video design. Although certain parts of the production feel stiff, overall this is a very different piece, which certainly gives its audience members food for thought.

Photo Credit: Bernhard Müller

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