Review: THE CRUCIBLE, Yard Theatre

Over recent years, The Yard has developed a reputation for staging bold and pretty out there productions, usually connecting well with audiences and generating a definite buzz about the space.

Arthur Miller is a common playwright to stage right now in London, and Artistic Director Jay Miller has chosen to take on his 1953 tale of witchcraft and paranoia. He has taken the essence straight out of the 17th century and transposed it into modern day, with microphones and a TV being used throughout.

The play opens with the cast sitting on village hall chairs, reciting stage directions and a bit of dialogue. It's an odd start; the delivery has no emotion behind it. Trying to be unconventional in form leads to the action instead feeling awkward, confusing and, for the most part, boring.

The first hour goes by without much excitement but slowly accents slip into American, people change into older-style clothes, and we get the play we were wishing for. The action moves onto where women get rounded up to be put on trial for suspected witchcraft. It's unnervingly tense and Arthur Miller's story can really be enjoyed here.

Caolifhionn Dunne does a magnificent turn as John Proctor, having delicious chemistry with Elizabeth (played by Emma D'Arcy). They deliver the text and emotion behind it with such exposing bravery, giving the piece its best moments. Nina Cassells' Abigail is also fun to watch, playing the sly accuser.

The production creates a definite atmosphere on stage, and when it works, it's brilliant. People in masks walk about the stage, and even though it's never clear why they do this, they certainly add to the eeriness. Josh Anio Grigg's sound design tops up the unsettling mood, aided by Jonah Brody's fantastic score.

Some of the creative decisions are bizarre and seem to be there for the sake of doing something. But when they coalesce with the text, they create some highly watchable moments. It won't be a staging of The Crucible for everyone, but it sure won't be one that's easily forgotten.

The Crucible at The Yard Theatre until 11 May

Photo credit: Helen Murray

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