DEEP RUN ELEMENTARY SCHOOL

by Dara Homer - February 15, 2025

Based on comedian Sarah Silverman’s memoir, The Bedwetter uses brazen humor to explore themes of broken family bonds, depression, and being different....

by Emily Berger - February 14, 2025

American Ballet Theatre (ABT) regularly brings new story ballets to DC for their Kennedy Center performances and this year was no different. Crime and Punishment, based on the novel by Fyodor Dostoevsky, premiered in New York in the fall and is the first full-length ballet by a female choreographer ...

by Brian Bochicchio - February 12, 2025

The title is not a typo.  Hey, what are the odds?  Could it be kismet, a prearranged theatrical landing spot, or totally happenstance? And if we cosmically reset the situation, would it happen again in the same way? Would we want it to happen the same way?...

by Audrey Cahak - February 13, 2025

Written in 1613 by Lope de Vega, Fuenteovejuna is widely considered a masterpiece by the most influential playwright from Spain’s golden age. The play depicts a town revolting against tyrannical rule during a period of countrywide political unrest, based on the real events of the Fuenteovejuna villa...

by David Friscic - February 10, 2025

The audacious and lively play Hand to God is a daring and yet, an oddly compelling and textured meditation, on society’s hypocrisies set within a more intimate framework of five characters whose minds are tortured with clashes between reason and fiery lust -driven passions. This play makes the puppe...

by Roger Catlin - February 09, 2025

It’s fitting that the Theater Alliance’s terrific new offering “The Garbologists” is presented in a temporary pop-up in the sprawling ground floor of a new apartment building — an industrial, no-frills empty retail space that could serve as a truck garage for the two workers featured in Lindsay Joel...

by Emily Berger - February 09, 2025

What did our critic think of ALVIN AILEY AMERICAN DANCE THEATER PROGRAM C at Kennedy Center?...

by Emily Berger - February 08, 2025

What did our critic think of ALVIN AILEY AMERICAN DANCE THEATER PROGRAM B at Kennedy Center?...

by Mary Lincer - February 07, 2025

In the late 1960s (in her late 60s), cabaret étoile Mabel Mercer added the utterly goofy 'Wait 'til We're 65' (by Lerner & Lane) to her sets; when she was well past 50, Barbara Cook began including Harper & Zippel's wildly funny 'The Ingenue' to her shows, simultaneously sending up her rivals and ag...

by Audrey Cahak - February 07, 2025

The excitement was overflowing in The Kennedy Center Opera House as the annual Alvin Ailey American Dance Theater program began. The audience was so heavily anticipating the start that they found every excuse to cheer — they even applauded the sponsor acknowledgement. ...