In a Maine coastal village toward the end of the 19th century, the swaggering, carefree carnival barker, Billy Bigelow, captivates and marries the naive millworker, Julie Jordan. Billy loses his job just as he learns that Julie is pregnant and, desperately intent upon providing a decent life for his family, he is coerced into being an accomplice to a robbery. Caught in the act and facing the certainty of prison, he takes his own life and is sent 'up there.' Billy is allowed to return to earth for one day fifteen years later, and he encounters the daughter he never knew. She is a lonely, friendless teenager, her father's reputation as a thief and bully having haunted her throughout her young life. How Billy instills in both the child and her mother a sense of hope and dignity is a dramatic testimony to the power of love. It's easy to understand why, of all the shows they created, CAROUSEL was Rodgers & Hammerstein's personal favorite.
Music by Rodgers, Richard; Book by Oscar Hammerstein II; Lyrics by Oscar Hammerstein II; Based on the Play LILIOM by Ferenc Molnar; As adapted by Benjamin F. Glazer; Original Dances by Agnes de Mille
Year | Category | |
---|---|---|
1994 | Best Revival of a Musical | Winner |
2018 | Best Revival of a Musical |
Videos
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Season 18: CONSTELLATIONS and HEAD OVER HEELS
Constellation Theatre Company (2/6 - 6/1) | |
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CONSTELLATIONS
Constellation Theatre Company (2/6 - 3/9) | |
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Blame It On Beckett
The Writers Center (3/14 - 3/30) | |
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Fuenteovejuna
GALA Hispanic Theatre (2/6 - 3/2) | |
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Kunene and the King
Klein Theatre - Shakespeare Theatre Company (2/16 - 3/16) | |
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The Dumb Waiter
DC Arts Center (3/7 - 3/23) | |
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We Are Gathered
Arena Stage (5/16 - 6/15) | |
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Evil Dead - Das Musical
Metropol Theater Bremen (10/24 - 10/25) | |
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American Festival Pops Orchestra: Armed Forces Day Celebration
Hylton Performing Arts Center (5/17 - 5/17) | |
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Musical Theatre At Morgan State University presents AIDA
Sixth & I (4/4 - 4/13) | |
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Mother Goose
Imagination Stage (3/1 - 4/13) | |
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