BroadwayWorld.com is excited to share a new weekly series developed by the Theatre Communications Group! This week Wooly Mammoth Theatre Company's Rachel Grossman shares pivotal moments in her theatre career and why the arts matter to her!
Rachel Grossman is a DC-based performing artist, administrator and educator. Rachel is Woolly Mammoth Theatre Company's Connectivity Director and is a co-founder and Ring Leader, Organizational Advancement for dog & pony dc (DC's only ensemble-based devised theatre company). She spent four seasons as the Director of Education & Outreach at Round House Theatre and prior to that she managed programming in the education departments at the Shakespeare Theatre Company, Arena Stage and CENTERSTAGE (Baltimore, MD). Rachel is a founding member of Referendum: Political Arts Collective through which she produced and directed THE TROJAN WOMEN (as part of the 2nd Annual Capital Fringe Festival), and produced and appeared in TO HAVE AND TO HOLD and THE BURIAL AT THEBES. Directing credits also include Just a Dream and Holes at Adventure Theatre and Assistant Directing Full Circle at Woolly Mammoth. Rachel is honored to have been an Associate Producer for the 2010 Source Festival, spent time producing with eXtreme eXchange, performing with DC Playback Theatre and adjudicating with the Helen Hayes Awards. A firm supporter of health and safety in the workplace and community, Rachel has been an American Red Cross instructor since 2001. Rachel resides in Washington, DC with her husband, lighting designer Colin K. Bills, and their spirited dog, Adler. Rachel is originally from Albion, MI.
I AM THEATRE spotlights the stories of theatre practitioners, in their own words. With 50 videos over the next 50 weeks, TCG is celebrating its 50th anniversary by sharing stories from a diverse group of people who are creating, supporting, and engaging with theatre. YOU ARE THEATRE: We want to hear your stories! TCG will release a new video each week of individuals sharing pivotal moments in theatre - and hope they will inspire you to tell your stories too. Join us as we seek to raise the international awareness of the depth, diversity and impact of the theatre field. WE ARE THEATRE! Today, not-for-profit professional theatres in the U.S. employ 130,000 people annually, inspire more than 30 million attendees and contribute $2 billion directly to the U.S. economy. What if thousands of theatre artists across the world posted their own video testimonies of why they do what they do and why theatre matters? How might that transform communities' awareness of our work? Please share the stories we've recorded, and we'll share the videos you make, and together we'll testify in a voIce That everyone will hear...I AM THEATRE. YOU ARE THEATRE. WE ARE THEATRE!
For 50 years, Theatre Communications Group (TCG), the national organization for the American theatre, has existed to strengthen, nurture and promote the professional not-for-profit American theatre. TCG's constituency has grown from a handful of groundbreaking theatres to nearly 700 member theatres and affiliate organizations and more than 13,000 individuals nationwide. TCG offers its members networking and knowledge-building opportunities through conferences, events, research and communications; awards grants, approximately $2 million per year, to theatre companies and individual artists; advocates on the federal level; and serves as the US Center of the International Theatre Institute, connecting its constituents to the global theatre community. TCG is North America's largest independent publisher of dramatic literature, with 11 Pulitzer Prizes for Best Play on the TCG booklist. It also publishes the award-winning AMERICAN THEATRE magazine and ARTSEARCH®, the essential source for a career in the arts. In all of its endeavors, TCG seeks to increase the organizational efficiency of its member theatres, cultivate and celebrate the artistic talent and achievements of the field and promote a larger public understanding of, and appreciation for, the theatre. www.tcg.org
