Following a season that included a best-selling production of "The Iceman Cometh", the critically acclaimed three-person storytelling drama "Faith Healer", and the highly successful US premiere of internationally renowned playwright Conor McPherson's "The Veil", Quotidian Theatre Company opens its 17th season with a new adaptation of Henrik Ibsen's "Hedda Gabler", updating the action of the play to the socially relevant climate of 1963 Georgetown. Quotidian's production runs October 24 - November 23 at The Writer's Center in downtown Bethesda.
1963: Civil rights leader Martin Luther King, Jr. gave his "I Have a Dream" speech, U.S. president John F. Kennedy was assassinated, and feminist Betty Friedan wrote about housewives' dissatisfaction in her book "The Feminine Mystique". "Hedda Gabler" revolves around a woman who has recently married for security instead of love. When Hedda's old flame returns to town with a new woman, Hedda lashes out against the restrictions society has placed on her. Audiences the world over have long been fascinated by the play's controversial central figure, who's both victim and oppressor; and Ibsen's critical examination of how women are treated in modern society remains relevant to this day.Michael Avolio, who made his directorial debut with last season's highly praised production of "The Iceman Cometh" at Quotidian, directs his new adaptation of Ibsen's Norwegian play from 1890. "The idea was to update the piece to make it clearer and more relevant to a modern audience while retaining all the complexity, sexuality, and vitality found in Ibsen's script," Avolio says. His fresh adaptation set in a time of social and political upheaval gives a "Mad Men" style spin to a play rife with attempted affairs, sexual politics, and plenty of drinking. "Our approach should appeal to those who've seen the play many times over as well as an audience completely new to the play," says Avolio.Videos