Ming Luke will act as guest conductor for San Francisco Ballet (SFB) at Kennedy Center in late October. The company will present two programs of new works selected from their groundbreaking Unbound Festival. Luke, along with SFB Music Director Martin West, will lead the Kennedy Center Opera House Orchestra in live accompaniment for pieces choreographed by some of the world's most renowned dance-makers.
East Coast Premieres from Unbound
John F. Kennedy Center for Performing Arts, 2700 F Street, NW Washington, DC 20566
Program A (Oct. 23, 24, 27e & 28m) works by Trey McIntyre, Christopher Wheeldon & David Dawson
Program B (Oct. 25, 26 & 27m) works by Edwaard Liang, Cathy Marston & Justin Peck
Tickets: $29 - $129
Dancers and musicians literally speak different languages. There are few resources to illuminate how to play live music for classical dance. The subtlety of historical approaches to ballet repertoire are traditionally dependent on knowledge passed down orally amongst musicians.
Ambitious and versatile, Ming Luke is a highly lauded, greatly coveted conductor, invited to present symphonic, choral, and classical ballet music all over the world. A virtuoso musical talent with background as a dancer, Luke possesses the connective creative tissue required to successfully collaborate with dance companies and deepen the impact of movement to live music. Luke is the Principal Guest Conductor for the San Francisco Ballet (SFB), having led over one hundred productions at the historic War Memorial Opera House. Embarking on eight tours with the company, he has presented time-honored classics like Cinderella and Romeo and Juliet at the John F. Kennedy Center and Sadler's Wells. Ming Luke has conducted the Bolshoi Orchestra in Russia as well as l'Orchestre Prométhée in Paris as part of a residency with Les Etés de la Danse. Other dance companies Luke has conducted include the prestigious New York City Ballet Orchestra, Nashville Symphony/Ballet, Napa Regional Dance Company, and Boston Ballet. Because of his passion for conducting for dance, Luke has worked closely with some of the most preeminent choreographers of the 21st century, like Justin Peck, Christopher Wheeldon, Mark Morris, Alexei Ratmansky, and Liam Scarlett. Famed Kirov Ballet dancer Natalia Makarova says that "Ming has a mixture of pure musicality and sensitivity to the needs of dancers, which are such rare qualities."
Beyond dance, Ming Luke has worked with ensembles across the US, UK, Russia, France, Czech Republic, Slovak Republic, Hungary, and Austria. The Napa Valley Register has noted that, as a conductor, Ming has "his audience as much in his thrall as his musicians." With a commanding presence both on and off stage, Ming Luke acts as Music Director for a variety of organizations. He has the distinction of being only the third Music Director selected to the Berkeley Community Chorus and Orchestra in the past 50 years. Luke is also the Music Director for the Merced Symphony in the California central valley.
Ming Luke holds a Master of Fine Arts in Conducting from Carnegie Mellon University and a Bachelor of Music in Music Education and Piano Pedagogy from Westminster Choir College of Rider University. While at Carnegie Mellon University, Luke worked with the illustrious Robert Page, who instilled in him the idea that conductors are conductors, not "choral" conductors or "ballet" conductors or "symphonic" conductors. Ming Luke embodies this expansive thinking, seeking opportunities to challenge himself and his audience. Learn more at mingluke.com.
Photo Credit: Bill Hocker
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