BWW Reviews: CYRANO at Center Stage

Who among us hasn't enjoyed the 1950 Jose Ferrer film version of  Cyrano de Bergerac by the French playwright and former lawyer, Edmond Rostand (written by 1897). Thanks again go to the wonderful dramaturgy department at Center Stage one learns that Cyrano is based on an actual character, Herculus-Savinien de Cyrano de Bergerac (nasally well-endowed), born in Paris in 1619 who later served in the French Guard.

Then Steve Martin starred and co-wrote a newer version called "Roxanne" in 1987.

I was impressed with the Kevin Kline. Jennifer Garner and Daniel Sunjata rendition on Broadway in 2007 (recently shown on PBS's "Great Performances").

Belgian Jo Roets, an artistic director for an experimental children's theater in Antwerp, has become known for his ability to reduce complex classic tales to their essence. His 1996 adaptation  of Cyrano has become an international success. And thanks to Center Stage, you can see his shortened version (down to 80 minutes without an intermission) directed by David Schweizer (his seventh production at Center Stage).

Schweizer has assembled a stellar cast. Sarah Grace Wilson in her Center Stage debut plays a delightful Roxanne.  Luke Robertson, who will always be remembered for his terrific performance this season in The Importance of Being Earnest, plays Christian (and others) with great aplomb. And finally, in the title role is Manu Narayan, (you will recall his prior role in Center Stage's terrific Boys from Syracuse, also directed by Schweizer.  Narayan relishes this role to perfection.

This is a great opportunity to bring the kids to the theater. The intimate Head Theatre (still in its cabaret setting) is a perfect location to be so up close and personal to this funny and moving classic.

You will be amazed how this adaptation works. Much credit of course goes to director Schweizer and the entire cast.

This rendition reminded me of a "radio play" since the stage is filled with every sort of sound effect possible. There are even trap doors which lead to more sound effects.  J. Allen Suddeth once again has been brought back to the theater as the fight director. But this time, the sword fights are done sans swords (with actress Wilson doing a marvelous job making the sounds of the swords come to life).

Music also adds to the enjoyment. The beginning of the play starts with wonderful music from the French film "Amelie" (I own the terrific CD and recommend it) by composer Yann Tiersen. The music was awarded the Cesar Award for Best Music in a film in 2002.

The rest of evening is filled with wonderful original music by the talented Ryan Rumery (also responsible for sound).

Scenic Designer Caleb Wertenbaker makes his Center Stage debut with a clever set (with a multitude of trap doors). David Burdick once again does a fabulous job as Costume Designer. Russell H. Champa is responsible for the moving lighting.

Cyrano continues to Feb. 7. Bring the family. For tickets, 410-332-0033 or visit www.centerstage.org.

Coming shortly, an interview with Manu Narayan.

Next at Center Stage is Let There Be Love by Kwame Kwei-Armah Feb. 10-March 7.

And do not miss seeing the wonderful E. Faye Butler performing in the Cabaret Series from Feb. 11-14. What a great way to celebrate Valentine's Day week-end. There's a special VIP reception following the Feb. 11 performance. Call the theater for details.

For comments, write to cgshubow@broadwayworld.com.

 

  

 

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