Performer
Avenue Q | The 25th Annual Putnam County Spelling Bee
"Bill" with lyrics by Oscar Hammerstein II and Music by Jerome Kern from SHOWBOAT. This song beautifully demonstrates how love can be inexplicable - beyond words, beyond rationale. Sure, the singer can't list one good reason (looks, skills, smarts) why she loves Bill; yes, it may be unfounded on paper, but that's what makes this particular love all the more selfless and generous. When you fall for someone, it's not because they are perfect, you almost start to love them for (or BECAUSE of) their imperfections. It's just inexplicable devotion. How romantic is that?!
"All The Things You Are" also by Hammerstein and Kern from VERY WARM FOR MAY. This song's long, lyrical melody line is quite possibly the most beautiful thing ever. AS for the well-constructed lyrics, the first half of the verse sets up the singer's questions and problems about searching for love, and the next part quells those worries - this time with a more grounded melody. But the real romance begins with the refrain - all those perfect 4ths really ground those flowery Hammerstein metaphors. Notice how he doesn't use similes!: "You ARE the promised kiss of springtime... You ARE the breathless hush of evening" (not "you are LIKE") - it's so definite! And then we learn that the singer doesn't quite have the love of the other person yet... "Someday my happy arms will hold you..." which brings longing into the picture, making the song more active and hopeful. Yummy.
"How Could I Ever Know?" with Lyrics by Marsha Norman and Music by Lucy Simon from The Secret Garden. The sentiment of pure ache pouring out of this song makes me weak in the knees. There is such regret and longing at the sense of unfairness in the world that has separated these two lovers you just want to cry. The fact that they're apart makes their love that much stronger. The sorrow; the plea of forgiveness (as if it was anyone's fault...), the soaring melody line - to me, that is romantic.