Photos: Go Inside the Pacific Theatre's Production of THE MOUNTAINTOP

After delivering a prophetic speech during the Memphis sanitation workers' strike, Dr. Martin Luther King, Jr. returns to his hotel, exhausted and frustrated. When Camae, a hotel maid, arrives with coffee and probing questions, she draws King into a conversation that spans time and space. With vivid theatrical imagination, Pulitzer-winning playwright Katori Hall shapes the final night of Dr. King's life into an intimate fantasia and gives us a window into his hopes, vulnerabilities, and fears. Powerful and surprisingly funny, The Mountaintop has garnered critical and audience acclaim since its London premiere in 2009.

"The greatness of Martin Luther King Junior, cultural icon and civil rights leader, is undeniable. His seminal legacy has been covered many times by mainstream historians, and cultural documentarians," said director Omari Newton. "The Mountaintop offers an opportunity to delve into the subtle inner workings of the man born Michael King Junior. I am grateful for the opportunity to steward both our outstanding creative team, and Pacific Theatre's dedicated audience, through an exhilarating journey to understand a sometimes flawed, scared, but ever-resilient social justice champion."

The Mountaintop has been a dream production for Shayna Jones, who plays Camae, since her days as an apprentice at Pacific Theatre. Ten years after first sharing the script with now-AD Kaitlin Williams, Shayna - a playwright and storyteller last seen in Pacific and Neworld Theatre's Gather: Stories In Nature - is stepping into Camae's apron. Kwesi Ameyaw, a familiar Vancouver face in the film and television arena, will be embodying King. Playwright Katori Hall's mother grew up around the corner from the Lorraine Motel and had begged to see King speak at Mason Temple that night in 1968.

But her mother - Hall's grandmother - refused to let her go. "Big Mama ... was like, 'You know they're gon' bomb that church, girl. You need to sit your butt down and you ain't going to that church,' " Hall recounted in an interview. Her mother stayed home, and the next day King was assassinated. "It was the biggest regret of her life," Hall says of her mother. That bit of family history is what gave Hall the idea for her play, even naming the maid Camae, after her mother, Carrie Mae. "I wanted to put both of them in the same room and give my mother that opportunity that she didn't have in 1968," Hall says.